楽譜
演奏
楽譜
Breitkopf und Härtel, No. EB 8491, 1989.
校訂者
Hans Haselböck (b. 1928), preface
Hans Klotz (1900–1987)
Martin Weyer (1938–2016)
Hans Klotz (1900–1987)
Martin Weyer (1938–2016)
出版社
Sämtliche Orgelwerke, Band 1: Fantasias, Fugues, etc. (pp.111-155)
Wiesbaden: Breitkopf und Härtel, No. EB 8491, 1989. Plate M.R. 17.
Wiesbaden: Breitkopf und Härtel, No. EB 8491, 1989. Plate M.R. 17.
その他の注記
600 dpi. Page size is 23 cm × 30.5 cm. The publisher's logo on the title page has been removed due to copyright.
Lauterbach & Kuhn, 1904, Plate B.B. 16922 (249).
出版社
Leipzig: Lauterbach & Kuhn, 1904, Plate B.B. 16922 (249).
その他の注記
Please be aware of a misprint in this early edition. It's in the last quote of the choral-like part of the theme in the last variation (variation XIII, "andante", bar 14; i.e. page number 31, system 3, bar 2). There are the notes a-sharp and c-sharp in the soprano missing (3rd and 4rth quaver). Without these notes the line can hardly be recognized as a quote of the theme (the entire quote is: a# (upbeat) - g# - a# - c# - b# - a# - g#, then change to 2/4-time).
Breitkopf & Härtel, EB 8491, 1966. Plate M.R. 17.
Breitkopf und Härtel, No. EB 8491, 1989.
校訂者
Hans Haselböck (b. 1928), preface
Hans Klotz (1900–1987)
Martin Weyer (1938–2016)
Hans Klotz (1900–1987)
Martin Weyer (1938–2016)
出版社
Sämtliche Orgelwerke, Band 1: Fantasias, Fugues, etc. (pp.111-155)
Wiesbaden: Breitkopf und Härtel, No. EB 8491, 1989. Plate M.R. 17.
Wiesbaden: Breitkopf und Härtel, No. EB 8491, 1989. Plate M.R. 17.
その他の注記
600 dpi. Page size is 23 cm × 30.5 cm. The publisher's logo on the title page has been removed due to copyright.
Lauterbach & Kuhn, 1904, Plate B.B. 16922 (249).
出版社
Leipzig: Lauterbach & Kuhn, 1904, Plate B.B. 16922 (249).
その他の注記
Please be aware of a misprint in this early edition. It's in the last quote of the choral-like part of the theme in the last variation (variation XIII, "andante", bar 14; i.e. page number 31, system 3, bar 2). There are the notes a-sharp and c-sharp in the soprano missing (3rd and 4rth quaver). Without these notes the line can hardly be recognized as a quote of the theme (the entire quote is: a# (upbeat) - g# - a# - c# - b# - a# - g#, then change to 2/4-time).
Breitkopf & Härtel, EB 8491, 1966. Plate M.R. 17.