Complete
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in 詳細情報.
楽譜
パート譜
Huberty, n.d.
浄書者
Mme Huberty
出版社
Paris: Huberty, n.d.
その他の注記
Six Trio pour deux Violons et Alto Viola ou Basse Obligé.
Alternate Cello part missing.
Alternate Cello part missing.
Sonatas 1-4
Sonatas 1-4
Markordt, n.d.
出版社
The Hague: Van Laak, n.d.(ca.1780).
co-issue - Amsterdam: Markordt, n.d.
co-issue - Amsterdam: Markordt, n.d.
その他の注記
N.B. Sonatas are presented in the order 4, 1, 3, 2. Alternate Viola missing.
It is possible that this is a publisher's label pasted over the original printer's name.
Title: Quattro Sonate Notturne a Due Violini, e Basso o piuttosto Viola.
This file is part of the Sibley Mirroring Project.
It is possible that this is a publisher's label pasted over the original printer's name.
Title: Quattro Sonate Notturne a Due Violini, e Basso o piuttosto Viola.
This file is part of the Sibley Mirroring Project.
Sonatas 2, 4 & 6
Sonatas 2, 4 & 6
Bärenreiter Verlag, 1949.
校訂者
Walter Upmeyer (1876-1961)
出版社
Hortus Musicus, No.37
Kassel: Bärenreiter Verlag, 1949.
Kassel: Bärenreiter Verlag, 1949.
復刻版
1957
その他の注記
From the uploader's library. Scanned A3 after unstapling. N.B. Sonatas are presented in the order 2, 6, 4.
Walter Upmeyer in his Introduction to this edition (1948) considers we can witness in this work the disappearance of the basso continuo in favour of the galant style of solo writing influenced by Tartini. He has based his (first) edition on manuscripts in the Berlin Schlossbibliothek.
Walter Upmeyer in his Introduction to this edition (1948) considers we can witness in this work the disappearance of the basso continuo in favour of the galant style of solo writing influenced by Tartini. He has based his (first) edition on manuscripts in the Berlin Schlossbibliothek.
このページの内容
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in 詳細情報.
完了
Complete
Complete
Huberty, n.d.
浄書者
Mme Huberty
出版社
Paris: Huberty, n.d.
その他の注記
Six Trio pour deux Violons et Alto Viola ou Basse Obligé.
Alternate Cello part missing.
Alternate Cello part missing.
Sonatas 1-4
Sonatas 1-4
Sonatas 1-4
Sonatas 1-4
Markordt, n.d.
出版社
The Hague: Van Laak, n.d.(ca.1780).
co-issue - Amsterdam: Markordt, n.d.
co-issue - Amsterdam: Markordt, n.d.
その他の注記
N.B. Sonatas are presented in the order 4, 1, 3, 2. Alternate Viola missing.
It is possible that this is a publisher's label pasted over the original printer's name.
Title: Quattro Sonate Notturne a Due Violini, e Basso o piuttosto Viola.
This file is part of the Sibley Mirroring Project.
It is possible that this is a publisher's label pasted over the original printer's name.
Title: Quattro Sonate Notturne a Due Violini, e Basso o piuttosto Viola.
This file is part of the Sibley Mirroring Project.
Sonatas 2, 4 & 6
Sonatas 2, 4 & 6
Sonatas 2, 4 & 6
Sonatas 2, 4 & 6
Bärenreiter Verlag, 1949.
校訂者
Walter Upmeyer (1876-1961)
出版社
Hortus Musicus, No.37
Kassel: Bärenreiter Verlag, 1949.
Kassel: Bärenreiter Verlag, 1949.
復刻版
1957
その他の注記
From the uploader's library. Scanned A3 after unstapling. N.B. Sonatas are presented in the order 2, 6, 4.
Walter Upmeyer in his Introduction to this edition (1948) considers we can witness in this work the disappearance of the basso continuo in favour of the galant style of solo writing influenced by Tartini. He has based his (first) edition on manuscripts in the Berlin Schlossbibliothek.
Walter Upmeyer in his Introduction to this edition (1948) considers we can witness in this work the disappearance of the basso continuo in favour of the galant style of solo writing influenced by Tartini. He has based his (first) edition on manuscripts in the Berlin Schlossbibliothek.