3 Themes for an Organ Improvisation, WAB 241
Altre informazioni
Spartiti
Spartiti
Holograph manuscript, n.d.[1884].
Editore
Holograph manuscript, n.d.[1884].
Osservazioni varie
ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Source: Stift Kremsmünster, A-KR-C56-15ab. First page contains a sketch of the Perger Präludium on systems 1-14. Systems 15-17 contain a pedal theme improvised by Bruckner in a performance at Kremsmünster on August 21, 1884. Noted on page two of the score but not in Bruckner's hand the date Aug. 21, 1884.
Copyright
R. Piper & Co., 1911.
Curatore
Franz Gräflinger (1876-1962)
Editore
Anton Bruckner: Bausteine zu seiner Lebensgeschichte
München: R. Piper & Co., 1911.
München: R. Piper & Co., 1911.
Osservazioni varie
3 themes, used by Bruckner for an improvisation at Kremsmünster on August 21, 1884, one day after he composed the "Perger Präludium". First(?) published on page 61 from the book mentioned above (see the Sibley page). Not in Bruckner's work list.
Copyright
3 Themes for an Organ Improvisation, WAB 241
Altre informazioni
Holograph manuscript, n.d.[1884].
Editore
Holograph manuscript, n.d.[1884].
Osservazioni varie
ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Source: Stift Kremsmünster, A-KR-C56-15ab. First page contains a sketch of the Perger Präludium on systems 1-14. Systems 15-17 contain a pedal theme improvised by Bruckner in a performance at Kremsmünster on August 21, 1884. Noted on page two of the score but not in Bruckner's hand the date Aug. 21, 1884.
Copyright
R. Piper & Co., 1911.
Curatore
Franz Gräflinger (1876-1962)
Editore
Anton Bruckner: Bausteine zu seiner Lebensgeschichte
München: R. Piper & Co., 1911.
München: R. Piper & Co., 1911.
Osservazioni varie
3 themes, used by Bruckner for an improvisation at Kremsmünster on August 21, 1884, one day after he composed the "Perger Präludium". First(?) published on page 61 from the book mentioned above (see the Sibley page). Not in Bruckner's work list.
Copyright

