Spartiti
Spartiti
for the Author, 1784.
Editore
London: for the Author, 1784.
Copyright
for the Author, 1794.
Editore
London: for the Author, 1794.
Copyright
for the Author, 1794.
Editore
London: for the Author, 1794.
Copyright
for the Author, 1800.
for the Author, 1808.
Curatore
3rd edition
Editore
London: for the Author, 1808.
Osservazioni varie
From the International Harp Archives at Brigham Young University
(as digitally mirrored at archive.org).
(as digitally mirrored at archive.org).
Copyright
Hime, n.d.
Curatore
"New edition, doubly augmented, and improved"
Editore
Dublin: Hime, n.d.
Osservazioni varie
Title-page transcription Musical Relics of the Welsh Bards, preserved by tradition and authentic manuscripts, from very remote Antiquity, to the Bardic Tunes are added, Variations for the Harp, Piano Forte, Flute, or Violin, with English Translations to many of the songs. </span>
Copyright
for the Author, 1784.
Editore
London: for the Author, 1784.
Copyright
for the Author, 1794.
Editore
London: for the Author, 1794.
Copyright
for the Author, 1794.
Editore
London: for the Author, 1794.
Copyright
for the Author, 1800.
for the Author, 1808.
Curatore
3rd edition
Editore
London: for the Author, 1808.
Osservazioni varie
From the International Harp Archives at Brigham Young University
(as digitally mirrored at archive.org).
(as digitally mirrored at archive.org).
Copyright
Hime, n.d.
Curatore
"New edition, doubly augmented, and improved"
Editore
Dublin: Hime, n.d.
Osservazioni varie
Title-page transcription Musical Relics of the Welsh Bards, preserved by tradition and authentic manuscripts, from very remote Antiquity, to the Bardic Tunes are added, Variations for the Harp, Piano Forte, Flute, or Violin, with English Translations to many of the songs. </span>
Copyright