Magnificat tertii et octavi toni
Altre informazioni
Spartiti
Parti
Robert Quercentius, 1552.
Curatore
First edition
Editore
Canticum Beatae Mariae Virginis (ff.13v–21r)
Cambrai: Robert Quercentius, 1552.
Cambrai: Robert Quercentius, 1552.
Osservazioni varie
Two performance options: within each verse either terminate at the symbol (usually employed for canons) to make the piece a third-tone setting; or, sing to the double bar to make the piece an eighth-tone setting.
Copyright
Magnificat tertii et octavi toni
Altre informazioni
Robert Quercentius, 1552.
Curatore
First edition
Editore
Canticum Beatae Mariae Virginis (ff.13v–21r)
Cambrai: Robert Quercentius, 1552.
Cambrai: Robert Quercentius, 1552.
Osservazioni varie
Two performance options: within each verse either terminate at the symbol (usually employed for canons) to make the piece a third-tone setting; or, sing to the double bar to make the piece an eighth-tone setting.
Copyright