This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Altre informazioni.
Spartiti
Esecuzioni
Spartiti e parti
Ricciardo Amadino, 1608.
Curatore
First edition
Editore
Venice: Ricciardo Amadino, 1608. (CTABQ); 1615 (Basso Continuo).
Osservazioni varie
Museo internazionale e Bibl. della musica, Bologna (I-Bc) : RISM A/I: M 3477
Facing pages. Original print order is given above; the order of pages in the Bologna facsimile has been changed to Canto, Alto, Tenore, Basso, Quinto, Basso Continuo. The Basso Continuo derives from a later Amadino reprint of 1615, with slightly different wording on the title page. The first double page of music in the Alto partbook (containing a blank verso, and Cruda Amarilli on the recto) is missing from this scan.
Facing pages. Original print order is given above; the order of pages in the Bologna facsimile has been changed to Canto, Alto, Tenore, Basso, Quinto, Basso Continuo. The Basso Continuo derives from a later Amadino reprint of 1615, with slightly different wording on the title page. The first double page of music in the Alto partbook (containing a blank verso, and Cruda Amarilli on the recto) is missing from this scan.
Copyright
Pierre Phalèse (the Younger), 1615.
Editore
Anvers: Pierre Phalèse (the Younger), 1615.
Osservazioni varie
Bibliothèque nationale de France, Musique (F-Pn): RISM A/I: M 3482
Copyright
Universal Edition, (1927).
Arrangiatore
Gian Francesco Malipiero (1882–1973), continuo realizations
Editore
Tutte le opere di Claudio Monteverdi, Vol.5
Asolo: Gian Francesco Mailipiero, n.d.(ca.1927).
Reissue — Vienna: Universal Edition, (1927).
Asolo: Gian Francesco Mailipiero, n.d.(ca.1927).
Reissue — Vienna: Universal Edition, (1927).
Copyright
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Altre informazioni.
Ricciardo Amadino, 1608.
Curatore
First edition
Editore
Venice: Ricciardo Amadino, 1608. (CTABQ); 1615 (Basso Continuo).
Osservazioni varie
Museo internazionale e Bibl. della musica, Bologna (I-Bc) : RISM A/I: M 3477
Facing pages. Original print order is given above; the order of pages in the Bologna facsimile has been changed to Canto, Alto, Tenore, Basso, Quinto, Basso Continuo. The Basso Continuo derives from a later Amadino reprint of 1615, with slightly different wording on the title page. The first double page of music in the Alto partbook (containing a blank verso, and Cruda Amarilli on the recto) is missing from this scan.
Facing pages. Original print order is given above; the order of pages in the Bologna facsimile has been changed to Canto, Alto, Tenore, Basso, Quinto, Basso Continuo. The Basso Continuo derives from a later Amadino reprint of 1615, with slightly different wording on the title page. The first double page of music in the Alto partbook (containing a blank verso, and Cruda Amarilli on the recto) is missing from this scan.
Copyright
Pierre Phalèse (the Younger), 1615.
Editore
Anvers: Pierre Phalèse (the Younger), 1615.
Osservazioni varie
Bibliothèque nationale de France, Musique (F-Pn): RISM A/I: M 3482
Copyright
Universal Edition, (1927).
Arrangiatore
Gian Francesco Malipiero (1882–1973), continuo realizations
Editore
Tutte le opere di Claudio Monteverdi, Vol.5
Asolo: Gian Francesco Mailipiero, n.d.(ca.1927).
Reissue — Vienna: Universal Edition, (1927).
Asolo: Gian Francesco Mailipiero, n.d.(ca.1927).
Reissue — Vienna: Universal Edition, (1927).
Copyright