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Spartiti
Bärenreiter Verlag, 1988.
Curatore
James Erb (1926–2014)
Editore
Sämtliche Werke, neue Reihe, Band 17. Magnificat 93-110 (pp.386-412)
Kassel: Bärenreiter Verlag, 1988. Plate BA 4198.
Kassel: Bärenreiter Verlag, 1988. Plate BA 4198.
Osservazioni varie
600 dpi. Page size is 18.9 x 27 centimeters. From the Modellkompositionen fremder Komponisten (No.14).
Copyright
Möseler Verlag, 1930.
Curatore
Friedrich Blume (1893–1975)
Editore
Das Chorwerk, Heft 18: 4 Motets (pp.23-30)
Wolfenbüttel: Möseler Verlag, 1930.
Wolfenbüttel: Möseler Verlag, 1930.
Copyright
Gordon Callon.
Curatore
Gordon Callon (b. 1945)
Editore
Gordon Callon
Osservazioni varie
edition from GB-Lcm MS 1070, fol. 63v–68r
This edition is taken directly from the manuscript, London, Royal College of Music MS 1070, fol. 63v–68r. The manuscript probably was produced in France in the earlier part of the sixteenth century, perhaps ca.1515–1520. The manuscript itself generally is called "The Anne Boleyn Music Book" due to an inscription in a slightly later English hand in the middle of the manuscript, “Mres A Bolleyene Nowe thus”. Its relationship to Anne Boleyn, if any, is uncertain. The reference to “M[ist]res[s]” suggests a date before 1533 (when she became Queen of England). If the manuscript was acquired by Anne Boleyn it may have been when she was in France, 1514–1521. [See: David Skinner, “Context and Earlier Ownership”, The Anne Boleyn Music Book...facsimile (Oxford: Diamm Facsimiles, 2017), 1–2.]
This edition is taken directly from the manuscript, London, Royal College of Music MS 1070, fol. 63v–68r. The manuscript probably was produced in France in the earlier part of the sixteenth century, perhaps ca.1515–1520. The manuscript itself generally is called "The Anne Boleyn Music Book" due to an inscription in a slightly later English hand in the middle of the manuscript, “Mres A Bolleyene Nowe thus”. Its relationship to Anne Boleyn, if any, is uncertain. The reference to “M[ist]res[s]” suggests a date before 1533 (when she became Queen of England). If the manuscript was acquired by Anne Boleyn it may have been when she was in France, 1514–1521. [See: David Skinner, “Context and Earlier Ownership”, The Anne Boleyn Music Book...facsimile (Oxford: Diamm Facsimiles, 2017), 1–2.]
Bärenreiter Verlag, 1988.
Curatore
James Erb (1926–2014)
Editore
Sämtliche Werke, neue Reihe, Band 17. Magnificat 93-110 (pp.386-412)
Kassel: Bärenreiter Verlag, 1988. Plate BA 4198.
Kassel: Bärenreiter Verlag, 1988. Plate BA 4198.
Osservazioni varie
600 dpi. Page size is 18.9 x 27 centimeters. From the Modellkompositionen fremder Komponisten (No.14).
Copyright
Möseler Verlag, 1930.
Curatore
Friedrich Blume (1893–1975)
Editore
Das Chorwerk, Heft 18: 4 Motets (pp.23-30)
Wolfenbüttel: Möseler Verlag, 1930.
Wolfenbüttel: Möseler Verlag, 1930.
Copyright
Gordon Callon.
Curatore
Gordon Callon (b. 1945)
Editore
Gordon Callon
Osservazioni varie
edition from GB-Lcm MS 1070, fol. 63v–68r
This edition is taken directly from the manuscript, London, Royal College of Music MS 1070, fol. 63v–68r. The manuscript probably was produced in France in the earlier part of the sixteenth century, perhaps ca.1515–1520. The manuscript itself generally is called "The Anne Boleyn Music Book" due to an inscription in a slightly later English hand in the middle of the manuscript, “Mres A Bolleyene Nowe thus”. Its relationship to Anne Boleyn, if any, is uncertain. The reference to “M[ist]res[s]” suggests a date before 1533 (when she became Queen of England). If the manuscript was acquired by Anne Boleyn it may have been when she was in France, 1514–1521. [See: David Skinner, “Context and Earlier Ownership”, The Anne Boleyn Music Book...facsimile (Oxford: Diamm Facsimiles, 2017), 1–2.]
This edition is taken directly from the manuscript, London, Royal College of Music MS 1070, fol. 63v–68r. The manuscript probably was produced in France in the earlier part of the sixteenth century, perhaps ca.1515–1520. The manuscript itself generally is called "The Anne Boleyn Music Book" due to an inscription in a slightly later English hand in the middle of the manuscript, “Mres A Bolleyene Nowe thus”. Its relationship to Anne Boleyn, if any, is uncertain. The reference to “M[ist]res[s]” suggests a date before 1533 (when she became Queen of England). If the manuscript was acquired by Anne Boleyn it may have been when she was in France, 1514–1521. [See: David Skinner, “Context and Earlier Ownership”, The Anne Boleyn Music Book...facsimile (Oxford: Diamm Facsimiles, 2017), 1–2.]