1st Version (1835 ca.)
Pange, lingua, gloriosi Corporis mysterium, WAB 31
Altre informazioni
Spartiti
Spartiti
Manuscript, n.d.(before 1922). (copyist's manuscript).
Copista
Max Auer (1880-1962)
Editore
Osservazioni varie
Bruckner's original manuscript is lost. This transcription by Franz Bayer is incorrectly labelled as "Pange linqua". It contains an obvious transcription error on bar 20: the alto score should be E, D and that of the tenor score logically C, D.
In the Bruckner Gesamtausgabe, Band XXI, p. 3, the alto score on bar 20 is indeed put as E, D. The tenor score is corrected (between brackets) as G, G, with as footnote: "Voorlage irrtümlich: B, D".
Copyright
Gustav Bosse, 1927.
Curatore
August Göllerich (1859–1923)
Max Auer (1880–1962)
Editore
Regensburg: Gustav Bosse, 1927.
Osservazioni varie
Copyright
Musikwissenschaftlicher Verlag, 1984.
Curatore
Leopold Nowak (1904–1991)
Editore
Vienna: Musikwissenschaftlicher Verlag, 1984.
Copyright
2nd Version (1891)
2nd Version (1891)
Holograph manuscript, 1891. (April 19).
Editore
Osservazioni varie
Copyright
Manuscript, n.d.(ca.1891). (copyist's manuscript).
Editore
Osservazioni varie
Copyright
Manuscript, n.d.(ca.1920s ?). (copyist's manuscript).
Copista
Max Auer (1880-1962), additional notations
Editore
Osservazioni varie
Copyright
In questa pagina
Pange, lingua, gloriosi Corporis mysterium, WAB 31
Altre informazioni
1st Version (1835 ca.)
1st Version (1835 ca.)
1st Version (1835 ca.)
1st Version (1835 ca.)
Manuscript, n.d.(before 1922). (copyist's manuscript).
Copista
Max Auer (1880-1962)
Editore
Osservazioni varie
Bruckner's original manuscript is lost. This transcription by Franz Bayer is incorrectly labelled as "Pange linqua". It contains an obvious transcription error on bar 20: the alto score should be E, D and that of the tenor score logically C, D.
In the Bruckner Gesamtausgabe, Band XXI, p. 3, the alto score on bar 20 is indeed put as E, D. The tenor score is corrected (between brackets) as G, G, with as footnote: "Voorlage irrtümlich: B, D".
Copyright
1st Version (1835 ca.)
1st Version (1835 ca.)
Gustav Bosse, 1927.
Curatore
August Göllerich (1859–1923)
Max Auer (1880–1962)
Editore
Regensburg: Gustav Bosse, 1927.
Osservazioni varie
Copyright
1st Version (1835 ca.)
1st Version (1835 ca.)
Musikwissenschaftlicher Verlag, 1984.
Curatore
Leopold Nowak (1904–1991)
Editore
Vienna: Musikwissenschaftlicher Verlag, 1984.
Copyright
2nd Version (1891)
2nd Version (1891)
2nd Version (1891)
2nd Version (1891)
Holograph manuscript, 1891. (April 19).
Editore
Osservazioni varie
Copyright
2nd Version (1891)
2nd Version (1891)
Manuscript, n.d.(ca.1891). (copyist's manuscript).
Editore
Osservazioni varie
Copyright
2nd Version (1891)
2nd Version (1891)
Manuscript, n.d.(ca.1920s ?). (copyist's manuscript).
Copista
Max Auer (1880-1962), additional notations
Editore
Osservazioni varie
Copyright
2nd Version (1891)
2nd Version (1891)
Manuscript, n.d.(ca.1920s ?). (copyist's manuscript).
Copista
Max Auer (1880-1962), additional notations
Editore
Osservazioni varie
Copyright
2nd Version (1891)
2nd Version (1891)
Manuscript, n.d.(before 1922). (copyist's manuscript).
Copista
August Göllerich (1859-1923)
Max Auer (1880-1962)
Editore
Osservazioni varie
Copyright
2nd Version (1891)
2nd Version (1891)
Musikwissenschaftlicher Verlag, 1984.
Curatore
Leopold Nowak (1904–1991)
Editore
Vienna: Musikwissenschaftlicher Verlag, 1984.
Copyright
2nd Version (1891)
2nd Version (1891)
Alexander Reuter.
Curatore
Editore
Osservazioni varie
2nd Version (1891)
2nd Version (1891)
Daniel Van Gilst (2016).











