Stabat mater
Altre informazioni
Spartiti
Esecuzioni
Spartiti
Manuscript, n.d.
Editore
Manuscript, n.d.
Osservazioni varie
Parma version
Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41
(from Internet Culturale)
Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41
(from Internet Culturale)
Copyright
Holograph manuscript, n.d.[1767].
Editore
Holograph manuscript, n.d.[1767].
Osservazioni varie
Munich version
See below for comments on instrumentation.
Bayerische Staatsbibliothek, Munich (D-Mbs) : Mus.ms.2594
See below for comments on instrumentation.
Bayerische Staatsbibliothek, Munich (D-Mbs) : Mus.ms.2594
Copyright
Stefano Paparozzi, 2022.
Curatore
Stefano Paparozzi (b. 1986)
Editore
Stefano Paparozzi, 2022.
Osservazioni varie
This is not a scientific critical edition, just an engraving making for study purpose. The source is the manuscript available on IMSLP [Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41] for the 1st version of this work, featuring only Strings, Voices and Continuo. Despite its conditions, the score is still quite readable, and free of evident mistakes. Some issues arise regarding the articulations, often incoherent between parts and instruments; they've been made consistent with the smallest editing work possibile.
Stabat mater
Altre informazioni
Manuscript, n.d.
Editore
Manuscript, n.d.
Osservazioni varie
Parma version
Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41
(from Internet Culturale)
Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41
(from Internet Culturale)
Copyright
Holograph manuscript, n.d.[1767].
Editore
Holograph manuscript, n.d.[1767].
Osservazioni varie
Munich version
See below for comments on instrumentation.
Bayerische Staatsbibliothek, Munich (D-Mbs) : Mus.ms.2594
See below for comments on instrumentation.
Bayerische Staatsbibliothek, Munich (D-Mbs) : Mus.ms.2594
Copyright
Stefano Paparozzi, 2022.
Curatore
Stefano Paparozzi (b. 1986)
Editore
Stefano Paparozzi, 2022.
Osservazioni varie
This is not a scientific critical edition, just an engraving making for study purpose. The source is the manuscript available on IMSLP [Biblioteca Palatina. Sezione musicale, Parma (I-PAc): Sanv.C.41] for the 1st version of this work, featuring only Strings, Voices and Continuo. Despite its conditions, the score is still quite readable, and free of evident mistakes. Some issues arise regarding the articulations, often incoherent between parts and instruments; they've been made consistent with the smallest editing work possibile.