Spartiti
Spartiti
Gregory D. Stanton.
Curatore
Editore
Gregory D. Stanton
Osservazioni varie
The original is notated in scordatura, but here it is presented in standard notation (at pitch). The viola d'amore is tuned in the customary D major tuning. I have preserved Huberty's intended fingerings which were indicated by the scordatura. Generally, the implied position indicated by a fingering is held until the next fingering mark or, in most cases, a change of clef. "Scaniello" is an archaic term for "sul ponticello". Dynamics and other markings not in the original are in parenthesis. —GS
Gregory D. Stanton.
Curatore
Editore
Gregory D. Stanton
Osservazioni varie
The original is notated in scordatura, but here it is presented in standard notation (at pitch). The viola d'amore is tuned in the customary D major tuning. I have preserved Huberty's intended fingerings which were indicated by the scordatura. Generally, the implied position indicated by a fingering is held until the next fingering mark or, in most cases, a change of clef. "Scaniello" is an archaic term for "sul ponticello". Dynamics and other markings not in the original are in parenthesis. —GS