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Schubert, Franz

Schubert, Franz

Adagio in D-flat major, D.505

1818

•

Adagio

Altre informazioni

Spartiti

Esecuzioni

Spartiti

Adagio in D-flat major, D.505

Scelti dai bibliotecari

Adagio in D-flat major, D.505

Scelti dai bibliotecari

Public Domain

G. Henle Verlag, 1979.

Curatore

Paul Badura-Skoda (1927–2019)

Editore

Munich: G. Henle Verlag, 1979.

Osservazioni varie

fingerings removed by uploader

Copyright

Complete Score

Breitkopf & Härtel, 1894.

Curatore

First edition
Julius Epstein (1832–1926)
Eusebius Mandyczewski (1857–1929)

Editore

Franz Schubert's Werke, Serie XXII: Revisionsbericht, No.4
Leipzig: Breitkopf & Härtel, 1894. Plate F.S. ??.

Osservazioni varie

Extracted from complete Revisionsbericht for Serie XI

Copyright

Complete Score

Adagio in D-flat major, D.505
Adagio in D-flat major, D.505

Double sharp.

Curatore

Editore

Double sharp

Osservazioni varie

Based on the first edition, although a few divergent readings in the copyist's manuscript suppressed in the first edition were drawn to the editor's attention by the critical commentary to the Henle Urtext edition.

Copyright

Complete Score

Adagio in D-flat major, D.505

1818

•

Adagio

Altre informazioni

Adagio in D-flat major, D.505

Scelti dai bibliotecari

Adagio in D-flat major, D.505

Scelti dai bibliotecari

G. Henle Verlag, 1979.

Curatore

Paul Badura-Skoda (1927–2019)

Editore

Munich: G. Henle Verlag, 1979.

Osservazioni varie

fingerings removed by uploader

Copyright

Breitkopf & Härtel, 1894.

Curatore

First edition
Julius Epstein (1832–1926)
Eusebius Mandyczewski (1857–1929)

Editore

Franz Schubert's Werke, Serie XXII: Revisionsbericht, No.4
Leipzig: Breitkopf & Härtel, 1894. Plate F.S. ??.

Osservazioni varie

Extracted from complete Revisionsbericht for Serie XI

Copyright

Adagio in D-flat major, D.505
Adagio in D-flat major, D.505

Double sharp.

Curatore

Editore

Double sharp

Osservazioni varie

Based on the first edition, although a few divergent readings in the copyist's manuscript suppressed in the first edition were drawn to the editor's attention by the critical commentary to the Henle Urtext edition.

Copyright