Selections
Spartiti
Spartiti
G. Ricordi, 1919.
Editore
Milan: G. Ricordi, 1919. Plate E.R. 121.
Copyright
Holograph manuscript, n.d.[1900-10].
Editore
Holograph manuscript, n.d.[1900-10].
Osservazioni varie
This manuscript is from Biblioteca Digitale Trentina / Trentino Digital Library.
3-4. This includes first half of No.4 and last half of No.3.
5. The sketch has written 3 possible endings for the work. Also the pizz in publication becomes just normal staccato.
6. Strangely, BdT listed it as Adagio, even though it should be Andante...
7. The last section is very different from the publication version, albeit having same material.
8. The former includes only latter half of Moderato section, which should be al Fine.
9. The publication version has a long transition that is non-existent in this sketch.
12. Lacking the last few bars.
3-4. This includes first half of No.4 and last half of No.3.
5. The sketch has written 3 possible endings for the work. Also the pizz in publication becomes just normal staccato.
6. Strangely, BdT listed it as Adagio, even though it should be Andante...
7. The last section is very different from the publication version, albeit having same material.
8. The former includes only latter half of Moderato section, which should be al Fine.
9. The publication version has a long transition that is non-existent in this sketch.
12. Lacking the last few bars.
Copyright
1-5 /7
In questa pagina
G. Ricordi, 1919.
Editore
Milan: G. Ricordi, 1919. Plate E.R. 121.
Copyright
Selections
Selections
Selections
Selections
Holograph manuscript, n.d.[1900-10].
Editore
Holograph manuscript, n.d.[1900-10].
Osservazioni varie
This manuscript is from Biblioteca Digitale Trentina / Trentino Digital Library.
3-4. This includes first half of No.4 and last half of No.3.
5. The sketch has written 3 possible endings for the work. Also the pizz in publication becomes just normal staccato.
6. Strangely, BdT listed it as Adagio, even though it should be Andante...
7. The last section is very different from the publication version, albeit having same material.
8. The former includes only latter half of Moderato section, which should be al Fine.
9. The publication version has a long transition that is non-existent in this sketch.
12. Lacking the last few bars.
3-4. This includes first half of No.4 and last half of No.3.
5. The sketch has written 3 possible endings for the work. Also the pizz in publication becomes just normal staccato.
6. Strangely, BdT listed it as Adagio, even though it should be Andante...
7. The last section is very different from the publication version, albeit having same material.
8. The former includes only latter half of Moderato section, which should be al Fine.
9. The publication version has a long transition that is non-existent in this sketch.
12. Lacking the last few bars.
Copyright