Spartiti
Spartiti
S. Brainard & Co., 1863.
Editore
Cleveland: S. Brainard & Co., 1863.
Osservazioni varie
This file is part of the Submission Project.
Copyright
Edwin Ashdown, n.d.(ca.1882).
Editore
London: Edwin Ashdown, n.d.(ca.1882). MPR
Ristampa
Giant King, Folio of Music for Piano or Organ
Toronto: W.H. Billing Music Company, 1930.
Toronto: W.H. Billing Music Company, 1930.
Osservazioni varie
Music starts at the bottom of page 56, after the ending of Henry Bollman's "Convent Bells Reverie" (see there). Same title font and printing style as the Bollman piece, so I guess it comes from the same plates.
As usual with this edition, bad quality printing (heavy damage on page 58). Don't blame your humble scanner.
As usual with this edition, bad quality printing (heavy damage on page 58). Don't blame your humble scanner.
Copyright
S. Brainard & Co., 1863.
Editore
Cleveland: S. Brainard & Co., 1863.
Osservazioni varie
This file is part of the Submission Project.
Copyright
Edwin Ashdown, n.d.(ca.1882).
Editore
London: Edwin Ashdown, n.d.(ca.1882). MPR
Ristampa
Giant King, Folio of Music for Piano or Organ
Toronto: W.H. Billing Music Company, 1930.
Toronto: W.H. Billing Music Company, 1930.
Osservazioni varie
Music starts at the bottom of page 56, after the ending of Henry Bollman's "Convent Bells Reverie" (see there). Same title font and printing style as the Bollman piece, so I guess it comes from the same plates.
As usual with this edition, bad quality printing (heavy damage on page 58). Don't blame your humble scanner.
As usual with this edition, bad quality printing (heavy damage on page 58). Don't blame your humble scanner.
Copyright