imslp logoimslp logo
Boëllmann, Léon

Boëllmann, Léon

12 Pièces, Op.16

•

12 pieces

Altre informazioni

Spartiti

Spartiti

12 Pièces, Op.16
12 Pièces, Op.16

Public Domain

Alphonse Leduc, n.d.(1891).

Curatore

First edition

Editore

Paris: Alphonse Leduc, n.d.(1891). Plate A.L. 8869.

Copyright

Complete Score

12 Pièces, Op.16
12 Pièces, Op.16

Alex'Not.

Curatore

Alain Brunet (b. 1967)

Editore

Alex'Not

Osservazioni varie

"fac simile moderne" : gravure identique à l'original

Copyright

Complete Score

Oliver Ditson Company, 1898.

Curatore

Henry Morton Dunham (1853–1929)

Editore

Modern French Organists
Boston: Oliver Ditson Company, 1898. Plate 4-30-60982-4.

Osservazioni varie

This file is part of the Sibley Mirroring Project.

Copyright

9. 2e Verset de Procession sur L'Adoro Te

Selections


Edwin Ashdown, 1949.

Curatore

Alec Rowley (1892–1958)

Editore

London: Edwin Ashdown, 1949. Plate E.A. 36733.

Osservazioni varie

Apparently taken from the original Alphonse Leduc plates with the publisher’s information removed and substituted with Rowley’s (minimal) editorialization.

Copyright

Nos.1, 3, 6, 5 as 'Four Recital Pieces'

In questa pagina

12 Pièces, Op.16

12 pieces

Altre informazioni

Alphonse Leduc, n.d.(1891).

Curatore

First edition

Editore

Paris: Alphonse Leduc, n.d.(1891). Plate A.L. 8869.

Copyright

12 Pièces, Op.16
12 Pièces, Op.16

Alex'Not.

Curatore

Alain Brunet (b. 1967)

Editore

Alex'Not

Osservazioni varie

"fac simile moderne" : gravure identique à l'original

Copyright

Oliver Ditson Company, 1898.

Curatore

Henry Morton Dunham (1853–1929)

Editore

Modern French Organists
Boston: Oliver Ditson Company, 1898. Plate 4-30-60982-4.

Osservazioni varie

This file is part of the Sibley Mirroring Project.

Copyright

Selections

Selections


Edwin Ashdown, 1949.

Curatore

Alec Rowley (1892–1958)

Editore

London: Edwin Ashdown, 1949. Plate E.A. 36733.

Osservazioni varie

Apparently taken from the original Alphonse Leduc plates with the publisher’s information removed and substituted with Rowley’s (minimal) editorialization.

Copyright