Quintette für 2 Violinen, 2 Bratschen und Violoncell
4 pieces
Altre informazioni
Spartiti
Parti
Breitkopf & Härtel, n.d.1890 .
Curatore
Friedrich Hermann (1828–1907)
Editore
Leipzig: Breitkopf & Härtel, n.d.1890 . Plate V.A. 1239.
Osservazioni varie
Original images: 250dpi, color jpg files approx. 2400 by 3130 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. Link for Hofmeister's Monatsberichte is for Op.29.
Copyright
Edition Peters, No.599, n.d.
Curatore
Wilhelm Altmann (1862-1951)
Editore
Leipzig: Edition Peters, No.599, n.d. Plate 8158.
Post-war US/Franfurt reprint with discussion (ca.1921 or 1922; German only) of the relationship between the Op.4 quintet and the Op.103 wind octet
Post-war US/Franfurt reprint with discussion (ca.1921 or 1922; German only) of the relationship between the Op.4 quintet and the Op.103 wind octet
Osservazioni varie
From the uploader's library. The 4 quintets are ordered as displayed on the Cover Page. Note: I was wondering whether to add this or not, considering the version already added from the SBB, but the latter suffers some page bending, and the score layout is, well, cramped. The Peters' is more spaced out, meaning on the other hand more page turns. There are no bowing indications in the Peters, which presents some minor differences in the expression marks. What do you think ? If so, should I include Altmann's one page commentary ? For the answer to this nagging question see the uploader's talk page !
Copyright
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Quintette für 2 Violinen, 2 Bratschen und Violoncell
4 pieces
Altre informazioni
Breitkopf & Härtel, n.d.1890 .
Curatore
Friedrich Hermann (1828–1907)
Editore
Leipzig: Breitkopf & Härtel, n.d.1890 . Plate V.A. 1239.
Osservazioni varie
Original images: 250dpi, color jpg files approx. 2400 by 3130 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. Link for Hofmeister's Monatsberichte is for Op.29.
Copyright
Edition Peters, No.599, n.d.
Curatore
Wilhelm Altmann (1862-1951)
Editore
Leipzig: Edition Peters, No.599, n.d. Plate 8158.
Post-war US/Franfurt reprint with discussion (ca.1921 or 1922; German only) of the relationship between the Op.4 quintet and the Op.103 wind octet
Post-war US/Franfurt reprint with discussion (ca.1921 or 1922; German only) of the relationship between the Op.4 quintet and the Op.103 wind octet
Osservazioni varie
From the uploader's library. The 4 quintets are ordered as displayed on the Cover Page. Note: I was wondering whether to add this or not, considering the version already added from the SBB, but the latter suffers some page bending, and the score layout is, well, cramped. The Peters' is more spaced out, meaning on the other hand more page turns. There are no bowing indications in the Peters, which presents some minor differences in the expression marks. What do you think ? If so, should I include Altmann's one page commentary ? For the answer to this nagging question see the uploader's talk page !
Copyright