Spartiti
Spartiti
Max Eschig, 1935.
Editore
Paris: Max Eschig, 1935. Plate M.E. 4776.
Osservazioni varie
With composer's markings in blue and red using probably one of the typical thick tete-beche color pencils that was, and still is, quite often used in France. The high-res scans have been left in their original poor state, for the sake of authenticity.
Copyright
Max Eschig, 1935.
Editore
Paris: Max Eschig, 1935. Plate M.E. 4776.
Osservazioni varie
With composer's markings in blue and red using probably one of the typical thick tete-beche color pencils that was, and still is, quite often used in France. The high-res scans have been left in their original poor state, for the sake of authenticity.
Copyright