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Breitkopf und Härtel, n.d.[n.d.1863 ].
Editore
Ludwig van Beethovens Werke, Serie 13:
Für Pianoforte und Violoncell, No.107 (pp.65-94)
Leipzig: Breitkopf und Härtel, n.d.[n.d.1863 ]. Plate B.107.
Für Pianoforte und Violoncell, No.107 (pp.65-94)
Leipzig: Breitkopf und Härtel, n.d.[n.d.1863 ]. Plate B.107.
Osservazioni varie
Originally scanned at about 160pi, converted to 600dpi monochrome (file #52413).
Original images: 300dpi, grayscale djvu files approx. 2900 by 3780 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. (file #314760)
Original images: 300dpi, grayscale djvu files approx. 2900 by 3780 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. (file #314760)
Copyright
C.F. Peters, No. 748, n.d.(ca.1890).
Curatore
Friedrich Hermann (1828-1907)
Editore
Leipzig: C.F. Peters, No. 748, n.d.(ca.1890). Plate 7984.
Osservazioni varie
The cello part edited by Walter Schulz (1893-1967) is still under copyright - do not post here.
Copyright
Breitkopf und Härtel, n.d.[1809].
J. Pleyel, n.d.(ca.1814).
Editore
Paris: J. Pleyel, n.d.(ca.1814). Plate 1065.
Osservazioni varie
Piano part only; violoncello part wanting
Stamped on t.p.: T. Boosey & Co., Oxford. Plate 1064 is from 1814 (see Krommer Op.85 No.2), perhaps this is too. (1814: See Pleyel table. 1064 and 1066 correspond to music published in 1814 (perhaps 1813) according to BNF/Bibliographie de la France and other fairly reliable sources...)
Stamped on t.p.: T. Boosey & Co., Oxford. Plate 1064 is from 1814 (see Krommer Op.85 No.2), perhaps this is too. (1814: See Pleyel table. 1064 and 1066 correspond to music published in 1814 (perhaps 1813) according to BNF/Bibliographie de la France and other fairly reliable sources...)
Copyright
Artaria & Co., n.d.(ca.1815).
Editore
Vienna: Artaria & Co., n.d.(ca.1815). Plate 2060.
Copyright
Breitkopf und Härtel, n.d.(ca.1843).
Editore
Leipzig: Breitkopf und Härtel, n.d.(ca.1843). Plate 6870.
Copyright
In questa pagina
Breitkopf und Härtel, n.d.[n.d.1863 ].
Editore
Ludwig van Beethovens Werke, Serie 13:
Für Pianoforte und Violoncell, No.107 (pp.65-94)
Leipzig: Breitkopf und Härtel, n.d.[n.d.1863 ]. Plate B.107.
Für Pianoforte und Violoncell, No.107 (pp.65-94)
Leipzig: Breitkopf und Härtel, n.d.[n.d.1863 ]. Plate B.107.
Osservazioni varie
Originally scanned at about 160pi, converted to 600dpi monochrome (file #52413).
Original images: 300dpi, grayscale djvu files approx. 2900 by 3780 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. (file #314760)
Original images: 300dpi, grayscale djvu files approx. 2900 by 3780 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. (file #314760)
Copyright
C.F. Peters, No. 748, n.d.(ca.1890).
Curatore
Friedrich Hermann (1828-1907)
Editore
Leipzig: C.F. Peters, No. 748, n.d.(ca.1890). Plate 7984.
Osservazioni varie
The cello part edited by Walter Schulz (1893-1967) is still under copyright - do not post here.
Copyright
Breitkopf und Härtel, n.d.[1809].
J. Pleyel, n.d.(ca.1814).
Editore
Paris: J. Pleyel, n.d.(ca.1814). Plate 1065.
Osservazioni varie
Piano part only; violoncello part wanting
Stamped on t.p.: T. Boosey & Co., Oxford. Plate 1064 is from 1814 (see Krommer Op.85 No.2), perhaps this is too. (1814: See Pleyel table. 1064 and 1066 correspond to music published in 1814 (perhaps 1813) according to BNF/Bibliographie de la France and other fairly reliable sources...)
Stamped on t.p.: T. Boosey & Co., Oxford. Plate 1064 is from 1814 (see Krommer Op.85 No.2), perhaps this is too. (1814: See Pleyel table. 1064 and 1066 correspond to music published in 1814 (perhaps 1813) according to BNF/Bibliographie de la France and other fairly reliable sources...)
Copyright
Artaria & Co., n.d.(ca.1815).
Editore
Vienna: Artaria & Co., n.d.(ca.1815). Plate 2060.
Copyright
Breitkopf und Härtel, n.d.(ca.1843).
Editore
Leipzig: Breitkopf und Härtel, n.d.(ca.1843). Plate 6870.
Copyright
Selections
Selections
Holograph manuscript, n.d.[1808].
Editore
Holograph manuscript, n.d.[1808].
Osservazioni varie
This first movement in a first version is the only surviving source in Beethoven's own hand apart from the sketches. The structure of the gathering and the musical text lead one to suppose that the manuscript was once complete and contained all the movements.
Copyright