Spartiti
Esecuzioni
Spartiti
Manuscript, n.d.
Editore
Manuscript, n.d.
Osservazioni varie
Schrank II coll.
Violin uses the scordatura tuning AEAE; however, the score is written at sounding pitch, not transposing for the lowest 2 strings.
Violin uses the scordatura tuning AEAE; however, the score is written at sounding pitch, not transposing for the lowest 2 strings.
Copyright
Schlesinger, n.d.[1836].
Curatore
Pierre Baillot (1771–1842)
Editore
L'Art du Violon
Berlin: Schlesinger, n.d.[1836]. Plate S.1940.
Berlin: Schlesinger, n.d.[1836]. Plate S.1940.
Osservazioni varie
Movement 1 is entirely different from the manuscript version above, and there are significant differences in the other movements. Despite the violin tuning AEAE, it is also written at sounding pitch.
Copyright
Manuscript, n.d.
Editore
Manuscript, n.d.
Osservazioni varie
Schrank II coll.
Violin uses the scordatura tuning AEAE; however, the score is written at sounding pitch, not transposing for the lowest 2 strings.
Violin uses the scordatura tuning AEAE; however, the score is written at sounding pitch, not transposing for the lowest 2 strings.
Copyright
Schlesinger, n.d.[1836].
Curatore
Pierre Baillot (1771–1842)
Editore
L'Art du Violon
Berlin: Schlesinger, n.d.[1836]. Plate S.1940.
Berlin: Schlesinger, n.d.[1836]. Plate S.1940.
Osservazioni varie
Movement 1 is entirely different from the manuscript version above, and there are significant differences in the other movements. Despite the violin tuning AEAE, it is also written at sounding pitch.
Copyright