Willkommen, lieber schöner Mai, D.244
Altre informazioni
Spartiti
Esecuzioni
Spartiti
Bärenreiter-Verlag, 1974.
Curatore
Dietrich Berke (1938–2010)
Editore
Neue Schubert-Ausgabe, Serie III, Band 4: Mehrstimmige Gesänge für gleiche Stimmen ohne Klavierbegleitung [NSA III/4] (pp.51-53)
Kassel: Bärenreiter-Verlag, 1974. Plate BA 5509.
Kassel: Bärenreiter-Verlag, 1974. Plate BA 5509.
Copyright
Breitkopf & Härtel, 1892.
Curatore
Josef Gänsbacher (1829–1911)
Eusebius Mandyczewski (1857–1929)
Eusebius Mandyczewski (1857–1929)
Editore
Franz Schubert's Werke, Serie XIX, No.27 (pp.85-86)
Leipzig: Breitkopf & Härtel, 1892. Plate F.S. 292-293.
Leipzig: Breitkopf & Härtel, 1892. Plate F.S. 292-293.
Ristampa
New York: Kalmus, No. 1067, n.d.
Osservazioni varie
Breitkopf & Härtel published two versions of the piece, but this is erroneous. The work, as listed in Deutsch, is in two parts ("Kanon in zwei Teilen"), not two versions. The first part ("A") is in A major while the 2nd part ("B") is in F-sharp minor. From a structural standpoint, the work is in ternary form ("ABA"), as shown in the Neue Schubert-Ausgabe score.
Copyright
Willkommen, lieber schöner Mai, D.244
Altre informazioni
Bärenreiter-Verlag, 1974.
Curatore
Dietrich Berke (1938–2010)
Editore
Neue Schubert-Ausgabe, Serie III, Band 4: Mehrstimmige Gesänge für gleiche Stimmen ohne Klavierbegleitung [NSA III/4] (pp.51-53)
Kassel: Bärenreiter-Verlag, 1974. Plate BA 5509.
Kassel: Bärenreiter-Verlag, 1974. Plate BA 5509.
Copyright
Breitkopf & Härtel, 1892.
Curatore
Josef Gänsbacher (1829–1911)
Eusebius Mandyczewski (1857–1929)
Eusebius Mandyczewski (1857–1929)
Editore
Franz Schubert's Werke, Serie XIX, No.27 (pp.85-86)
Leipzig: Breitkopf & Härtel, 1892. Plate F.S. 292-293.
Leipzig: Breitkopf & Härtel, 1892. Plate F.S. 292-293.
Ristampa
New York: Kalmus, No. 1067, n.d.
Osservazioni varie
Breitkopf & Härtel published two versions of the piece, but this is erroneous. The work, as listed in Deutsch, is in two parts ("Kanon in zwei Teilen"), not two versions. The first part ("A") is in A major while the 2nd part ("B") is in F-sharp minor. From a structural standpoint, the work is in ternary form ("ABA"), as shown in the Neue Schubert-Ausgabe score.
Copyright