Spartiti
Esecuzioni
Partiture
Bärenreiter-Verlag, 1971.
Curatore
Nicholas Temperley (1932–2020)
Editore
New Edition of the Complete Works, Vol.16 (pp.5-164)
Kassel: Bärenreiter-Verlag, 1971. Plate BA 5456.
Kassel: Bärenreiter-Verlag, 1971. Plate BA 5456.
Copyright
Holograph manuscript, 1830.
Editore
Holograph manuscript, 1830.
Copyright
Breitkopf und Härtel, 1900.
Curatore
Charles Malherbe (1853–1911)
Felix Weingartner (1863–1942)
Felix Weingartner (1863–1942)
Editore
Hector Berlioz Werke, Serie I, Band 1
Leipzig: Breitkopf und Härtel, 1900. Plate H.B. 1.
Leipzig: Breitkopf und Härtel, 1900. Plate H.B. 1.
Ristampa
New York: E.F. Kalmus, n.d.[1933–70].
Osservazioni varie
Apparently, the editors made the decision to swap several of the trombone and ophicleide (or tuba, in this case) parts in the fourth movement, completely eliminating the third trombone's infamous pedal tones.
Copyright
Bärenreiter-Verlag, 1971.
Curatore
Nicholas Temperley (1932–2020)
Editore
New Edition of the Complete Works, Vol.16 (pp.5-164)
Kassel: Bärenreiter-Verlag, 1971. Plate BA 5456.
Kassel: Bärenreiter-Verlag, 1971. Plate BA 5456.
Copyright
Holograph manuscript, 1830.
Editore
Holograph manuscript, 1830.
Copyright
Breitkopf und Härtel, 1900.
Curatore
Charles Malherbe (1853–1911)
Felix Weingartner (1863–1942)
Felix Weingartner (1863–1942)
Editore
Hector Berlioz Werke, Serie I, Band 1
Leipzig: Breitkopf und Härtel, 1900. Plate H.B. 1.
Leipzig: Breitkopf und Härtel, 1900. Plate H.B. 1.
Ristampa
New York: E.F. Kalmus, n.d.[1933–70].
Osservazioni varie
Apparently, the editors made the decision to swap several of the trombone and ophicleide (or tuba, in this case) parts in the fourth movement, completely eliminating the third trombone's infamous pedal tones.
Copyright