Complete
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Altre informazioni.
Spartiti
Esecuzioni
Spartiti
Bärenreiter Verlag, 1970.
Curatore
Georg von Dadelsen (1918–2007)
Editore
Neue Bach-Ausgabe, Serie V, Band 3 (pp.1-33)
Kassel: Bärenreiter Verlag, 1970. Plate BA 5035.
Kassel: Bärenreiter Verlag, 1970. Plate BA 5035.
Osservazioni varie
600 dpi. Page size is 10.00 x 12.688 inches.
Copyright
Könemann Music, 1994.
Curatore
Tamás Zászkaliczky (b. 1943)
Editore
Budapest: Könemann Music, 1994. Plate K 110.
Osservazioni varie
600 dpi. Page size A4 (210 × 297mm).
Copyright
Manuscript, 1720.
Copista
Wilhelm Friedemann Bach (1710–1784)
Unidentified
Anon. K 7
Unidentified
Anon. K 7
Editore
Manuscript, 1720.
Holograph manuscript, 1720.
Holograph manuscript, 1720.
Osservazioni varie
Beinecke Library, Yale University (US-NHub) : Music Deposit 31
Extracted from manuscript #325943 (see Klavierbüchlein für Wilhelm Friedemann Bach).
Extracted from manuscript #325943 (see Klavierbüchlein für Wilhelm Friedemann Bach).
Copyright
Holograph manuscript, n.d.(ca.1720-23).
Editore
Holograph manuscript, n.d.(ca.1720-23).
Osservazioni varie
Staatsbibliothek zu Berlin (D-B) : Mus.ms. Bach P 610
Note that the first piece in this manuscript is BWV 772a, the revised version with triplets.
Extracted from Inventions and Sinfonias.
Note that the first piece in this manuscript is BWV 772a, the revised version with triplets.
Extracted from Inventions and Sinfonias.
Copyright
Manuscript, n.d.(ca.1724).
Copista
Bernhard Christian Kayser (1705–1758)
Editore
Manuscript, n.d.(ca.1724).
Osservazioni varie
Staatsbibliothek zu Berlin (D-B) : Mus.ms. Bach P 219
The ordering of pieces differs from the holograph manuscript (P 610), possibly due to being copied from an earlier, intermediate source.
Scan quality: 300dpi @ A4 page size
Extracted from manuscript #864938 (see Inventions and Sinfonias)
The ordering of pieces differs from the holograph manuscript (P 610), possibly due to being copied from an earlier, intermediate source.
Scan quality: 300dpi @ A4 page size
Extracted from manuscript #864938 (see Inventions and Sinfonias)
Copyright
Manuscript, n.d.(ca.1725).
Copista
Johann Peter Kellner (1705–1772)
Editore
Manuscript, n.d.(ca.1725).
Osservazioni varie
Staatsbibliothek zu Berlin (D-B) : Mus.ms. Bach P 804 (41)
Extracted from manuscript #865692 (see Inventions and Sinfonias).
Extracted from manuscript #865692 (see Inventions and Sinfonias).
Copyright
In questa pagina
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Altre informazioni.
Fine
Complete
Complete
Bärenreiter Verlag, 1970.
Curatore
Georg von Dadelsen (1918–2007)
Editore
Neue Bach-Ausgabe, Serie V, Band 3 (pp.1-33)
Kassel: Bärenreiter Verlag, 1970. Plate BA 5035.
Kassel: Bärenreiter Verlag, 1970. Plate BA 5035.
Osservazioni varie
600 dpi. Page size is 10.00 x 12.688 inches.
Copyright
Complete
Complete
Könemann Music, 1994.
Curatore
Tamás Zászkaliczky (b. 1943)
Editore
Budapest: Könemann Music, 1994. Plate K 110.
Osservazioni varie
600 dpi. Page size A4 (210 × 297mm).
Copyright
Complete
Complete
Manuscript, 1720.
Copista
Wilhelm Friedemann Bach (1710–1784)
Unidentified
Anon. K 7
Unidentified
Anon. K 7
Editore
Manuscript, 1720.
Holograph manuscript, 1720.
Holograph manuscript, 1720.
Osservazioni varie
Beinecke Library, Yale University (US-NHub) : Music Deposit 31
Extracted from manuscript #325943 (see Klavierbüchlein für Wilhelm Friedemann Bach).
Extracted from manuscript #325943 (see Klavierbüchlein für Wilhelm Friedemann Bach).
Copyright
Complete
Complete
Holograph manuscript, n.d.(ca.1720-23).
Editore
Holograph manuscript, n.d.(ca.1720-23).
Osservazioni varie
Staatsbibliothek zu Berlin (D-B) : Mus.ms. Bach P 610
Note that the first piece in this manuscript is BWV 772a, the revised version with triplets.
Extracted from Inventions and Sinfonias.
Note that the first piece in this manuscript is BWV 772a, the revised version with triplets.
Extracted from Inventions and Sinfonias.
Copyright
Complete
Complete
Manuscript, n.d.(ca.1724).
Copista
Bernhard Christian Kayser (1705–1758)
Editore
Manuscript, n.d.(ca.1724).
Osservazioni varie
Staatsbibliothek zu Berlin (D-B) : Mus.ms. Bach P 219
The ordering of pieces differs from the holograph manuscript (P 610), possibly due to being copied from an earlier, intermediate source.
Scan quality: 300dpi @ A4 page size
Extracted from manuscript #864938 (see Inventions and Sinfonias)
The ordering of pieces differs from the holograph manuscript (P 610), possibly due to being copied from an earlier, intermediate source.
Scan quality: 300dpi @ A4 page size
Extracted from manuscript #864938 (see Inventions and Sinfonias)
Copyright
Complete
Complete
Manuscript, n.d.(ca.1725).
Copista
Johann Peter Kellner (1705–1772)
Editore
Manuscript, n.d.(ca.1725).
Osservazioni varie
Staatsbibliothek zu Berlin (D-B) : Mus.ms. Bach P 804 (41)
Extracted from manuscript #865692 (see Inventions and Sinfonias).
Extracted from manuscript #865692 (see Inventions and Sinfonias).
Copyright
Complete
Complete
Manuscript, n.d.(ca.1745-55).
Copista
Editore
Manuscript, n.d.(ca.1745-55).
Osservazioni varie
Toulouse Municipal Library (F-TLm): Res. Mus. B 561
#454111: Extracted from manuscript #62840 (see Inventions and Sinfonias). Introduction in German with Clavierbüchlein text, Johann Sebastian and Wilhelm Friedmann Bach autographs. Copyist's name on f.17 front Conforms to first manuscript in BWV. Dating: Musikforschunginstitut Berlin
#454111: Extracted from manuscript #62840 (see Inventions and Sinfonias). Introduction in German with Clavierbüchlein text, Johann Sebastian and Wilhelm Friedmann Bach autographs. Copyist's name on f.17 front Conforms to first manuscript in BWV. Dating: Musikforschunginstitut Berlin
Copyright
Complete
Complete
Manuscript, n.d.(ca.1760-80).
Copista
Johann Christian Bach @pianist^ (1743–1814)
Anon. J. S. Bach XXVI
Anon. J. S. Bach XXVI
Editore
Manuscript, n.d.(ca.1760-80).
Osservazioni varie
Staatsbibliothek zu Berlin (D-B) : Am.B 478
Extracted from manuscript #866398 (see Klavierbüchlein für Wilhelm Friedemann Bach).
Extracted from manuscript #866398 (see Klavierbüchlein für Wilhelm Friedemann Bach).
Copyright
Complete
Complete
Manuscript, n.d.(ca.1790).
Copista
Peter Grönland (1761–1825)
Editore
Manuscript, n.d.(ca.1790).
Osservazioni varie
Det Kgl. Bibliotek, Copenhagen (DK-Kk) : DK-Kk, mu 9210.2682
Copyright
Complete
Complete
C.F. Peters, n.d.(ca.1840).
Curatore
Carl Czerny (1791–1857)
Editore
Compositions pour le Pianoforte, Livre 7 (pp.12-28)
Leipzig: C.F. Peters, n.d.(ca.1840). Plate 2748.
Leipzig: C.F. Peters, n.d.(ca.1840). Plate 2748.
Osservazioni varie
Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
Copyright
Complete
Complete
Breitkopf und Härtel, 1853.
Curatore
Carl Ferdinand Becker (1804–1877)
Editore
Bach-Gesellschaft Ausgabe, Band 3 (pp.1-18)
Leipzig: Breitkopf und Härtel, 1853. Plate B.W. III.
Leipzig: Breitkopf und Härtel, 1853. Plate B.W. III.
Osservazioni varie
scan: score scanned at 600dpi (High Quality Scanning)
Copyright
Complete
Complete
C.F. Peters, No. 201, n.d.(ca.1890).
Curatore
Carl Czerny (1791–1857)
Friedrich Conrad Griepenkerl (1742–1849)
Friedrich August Roitzsch (1805–1889)
Friedrich Conrad Griepenkerl (1742–1849)
Friedrich August Roitzsch (1805–1889)
Editore
Klavierwerke von Joh. Seb. Bach
Leipzig: C.F. Peters, No. 201, n.d.(ca.1890). Plate 8275.
Leipzig: C.F. Peters, No. 201, n.d.(ca.1890). Plate 8275.
Copyright
Complete
Complete
Breitkopf und Härtel, n.d.
Complete
Complete
Breitkopf und Härtel, 1891/1914.
Curatore
Ferruccio Busoni (1866–1924)
Editore
Leipzig: Breitkopf und Härtel, 1891/1914. Plate E.B. 3127.
Ristampa
Moscow: Muzyka, n.d. (#22077)
Osservazioni varie
Instruktive Ausgabe (#22076)
Russian translation (#22077)
Russian translation (#22077)
Copyright
Complete
Complete
Breitkopf und Härtel, 1892/1917.
Curatore
Ferruccio Busoni (1866–1924)
Traduttore
Louis Charles Elson (1848–1920), English text
Editore
Leipzig: Breitkopf und Härtel, 1892/1917. Plate E.B. 3127.
Ristampa
New York: Associated Music Publishers, n.d.
Copyright
Complete
Complete
B.F. Wood, No. 126, n.d.(1899-1900).
Curatore
Carl Czerny (1791–1857)
Friedrich Conrad Griepenkerl (1742–1849)
Friedrich August Roitzsch (1805–1889)
Friedrich Conrad Griepenkerl (1742–1849)
Friedrich August Roitzsch (1805–1889)
Editore
Boston: B.F. Wood, No. 126, n.d.(1899-1900). Plate B.F.W. 1009-31.
Osservazioni varie
Invention 8 missing and replaced by Bach-Gesellschaft edition.
Copyright
Complete
Complete
Ricordi, n.d.
Curatore
Bruno Mugellini (1871–1912)
Editore
Milan: Ricordi, n.d. Plate E.R. 2266a.
Ristampa
Milan: Ricordi, 1983.
Copyright
Complete
Complete
Carl Fischer, 1903.
Complete
Complete
Oliver Ditson Co., No. 231, 1907.
Curatore
Ebenezer Prout (1835–1909)
Editore
Boston: Oliver Ditson Co., No. 231, 1907.
Osservazioni varie
This file is part of the Sibley Mirroring Project.
Contains prefaces by Prout and Percy Goetschius (1853-1943).
Contains prefaces by Prout and Percy Goetschius (1853-1943).
Copyright
Complete
Complete
Allan & Co., n.d.[1912].
Curatore
Franklin Peterson (1861–1914)
T. Matthew Ennis
T. Matthew Ennis
Editore
Melbourne: Allan & Co., n.d.[1912]. Plate A. & Co. 975.
Copyright
Complete
Complete
Boston Music Co., 1912.
Curatore
Bernhardus Boekelman (1838–1930)
Editore
Boston: Boston Music Co., 1912.
Osservazioni varie
Analysed for self-instruction in polychromatic notation
Copyright
Complete
Complete
Curci, 1946.
Complete
Complete
Ricordi, 1951.
Curatore
Bruno Mugellini (1871–1912)
Editore
Milan: Ricordi, 1951. Plate E. R. 2364.
Osservazioni varie
Reprints of 1970, 1999. Ricordi's 1951 claim is fraudulent as they merely excerpted the music from Mugellini's extensively annotation edition (see above) issued around 1900. The 1951 claim was never renewed in the USA in any case.
Copyright
Complete
Complete
Bärenreiter Verlag, 1962.
Curatore
Wolfgang Plath (1930–1995)
Editore
Neue Bach-Ausgabe, Serie V, Band 5 (pp.48-77)
Kassel: Bärenreiter Verlag, 1962. Plate BA 5021.
Kassel: Bärenreiter Verlag, 1962. Plate BA 5021.
Osservazioni varie
600 dpi. Page size is 10.00 x 12.688 inches. Part of the Klavierbüchlein für Wilhelm Friedemann Bach (Nos.32-46).
Copyright
Complete
Complete
ND Music Edition, No.002, 2010.
Curatore
Editore
ND Music Edition, No.002, 2010.
Osservazioni varie
Urtext edition from the autograph manuscript. Typeset in LilyPond 2.12.3.
Complete
Complete
Creative Commons Attribution Non-commercial Share Alike 3.0
Luigi Cataldi.
Curatore
Editore
Luigi Cataldi
Osservazioni varie
These file(s) are part of the Werner Icking Music Collection.
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0
Complete
Complete
Ritter von Schleyer Verlag.
Curatore
Editore
Ritter von Schleyer Verlag
Osservazioni varie
Includes fingerings.
Complete
Complete
Contrapunctus Press, 2021.
Curatore
Editore
London, Canada: Contrapunctus Press, 2021.
Osservazioni varie
This score is a scholarly edition based upon original sources and is presented without fingering or editorial additions.
Complete
Complete
Viktor Keil.
Complete
Complete
Knute Snortum, 2023.
Curatore
Knute Snortum (b. 1960)
Editore
Knute Snortum, 2023.
Osservazioni varie
LilyPond source files included
Selections
Selections
Selections
Selections
Manuscript, n.d.(ca.1735).
Copista
Friedrich Christian Samuel Mohrheim (1719–1780)
Editore
Manuscript, n.d.(ca.1735).
Osservazioni varie
Staatsbibliothek zu Berlin (D-B) : Mus.ms. Bach P 222 (2)
Extracted from manuscript #865952 (see Inventions and Sinfonias).
Extracted from manuscript #865952 (see Inventions and Sinfonias).
Copyright
Selections
Selections
Les Éditions Outremontaises, 2009.
Curatore
Editore
Montréal: Les Éditions Outremontaises, 2009
Osservazioni varie
These file(s) are part of the Werner Icking Music Collection. - Urtext
Selections
Selections
Manuscript, 1976.
Copista
Takashi Maeno
Editore
Manuscript, 1976.
Osservazioni varie
Carlo Vidusso handwrote the original score with fingerings in 1976. Later, his last pupil, Takashi Maeno, compiled the score and converted it into a PDF using the notation software Finale.
Copyright