Complete
Spartiti
Esecuzioni
Spartiti
Bärenreiter Verlag, 1977.
Curatore
Christoph Wolff (b. 1940)
Editore
Neue Bach-Ausgabe, Serie V, Band 2 (pp.67-116)
Kassel: Bärenreiter Verlag, 1977. Plate BA 5048.
Kassel: Bärenreiter Verlag, 1977. Plate BA 5048.
Osservazioni varie
600 dpi. Page size is 10.00 x 12.688 inches.
Copyright
Bärenreiter, 1977.
Curatore
Christoph Wolff (b. 1940)
Editore
Kassel: Bärenreiter, 1977. Plate BA 5162/DVfM 8007.
Copyright
Manuscript, n.d.
Incisore
Unidentified copyist
Editore
Manuscript, n.d.
Osservazioni varie
18th-century manuscript copy of the Balthasar Schmid edition.
Copyright
Balthasar Schmid, No. 16, n.d.(ca.1741).
Curatore
First edition
Editore
Nürnberg: Balthasar Schmid, No. 16, n.d.(ca.1741).
Osservazioni varie
- 394103, #74598, and #18809 - Facsimile of Bach's personal copy ('Handexemplar') located in the Bibliothèque Nationale de France [Rés. Vm. ms. 949], including several ornaments added by hand in faded ink which is more visible in the color scan. See discussion page for list of hand-written additions.
The 14 canons upon the first part of the basso appear at the end on a separate page.
Copyright
Hans Georg Nägeli, n.d.[1802].
Editore
Musikalische Kunstwerke im strengen Style von J.S. Bach u. andern Meistern
Zürich: Hans Georg Nägeli, n.d.[1802].
Zürich: Hans Georg Nägeli, n.d.[1802].
Osservazioni varie
This file is part of the Submission Project.
Copyright
C.F. Peters, No. 209, n.d.(ca.1850).
Curatore
Carl Czerny (1791–1857)
Friedrich Conrad Griepenkerl (1782–1849)
Friedrich August Roitzsch (1805–1889)
Friedrich Conrad Griepenkerl (1782–1849)
Friedrich August Roitzsch (1805–1889)
Editore
Leipzig: C.F. Peters, No. 209, n.d.(ca.1850). Plate 2747.
Copyright
In questa pagina
Fine
Complete
Complete
Bärenreiter Verlag, 1977.
Curatore
Christoph Wolff (b. 1940)
Editore
Neue Bach-Ausgabe, Serie V, Band 2 (pp.67-116)
Kassel: Bärenreiter Verlag, 1977. Plate BA 5048.
Kassel: Bärenreiter Verlag, 1977. Plate BA 5048.
Osservazioni varie
600 dpi. Page size is 10.00 x 12.688 inches.
Copyright
Complete
Complete
Bärenreiter, 1977.
Curatore
Christoph Wolff (b. 1940)
Editore
Kassel: Bärenreiter, 1977. Plate BA 5162/DVfM 8007.
Copyright
Complete
Complete
Manuscript, n.d.
Incisore
Unidentified copyist
Editore
Manuscript, n.d.
Osservazioni varie
18th-century manuscript copy of the Balthasar Schmid edition.
Copyright
Complete
Complete
Balthasar Schmid, No. 16, n.d.(ca.1741).
Curatore
First edition
Editore
Nürnberg: Balthasar Schmid, No. 16, n.d.(ca.1741).
Osservazioni varie
- 394103, #74598, and #18809 - Facsimile of Bach's personal copy ('Handexemplar') located in the Bibliothèque Nationale de France [Rés. Vm. ms. 949], including several ornaments added by hand in faded ink which is more visible in the color scan. See discussion page for list of hand-written additions.
The 14 canons upon the first part of the basso appear at the end on a separate page.
Copyright
Complete
Complete
Hans Georg Nägeli, n.d.[1802].
Editore
Musikalische Kunstwerke im strengen Style von J.S. Bach u. andern Meistern
Zürich: Hans Georg Nägeli, n.d.[1802].
Zürich: Hans Georg Nägeli, n.d.[1802].
Osservazioni varie
This file is part of the Submission Project.
Copyright
Complete
Complete
C.F. Peters, No. 209, n.d.(ca.1850).
Curatore
Carl Czerny (1791–1857)
Friedrich Conrad Griepenkerl (1782–1849)
Friedrich August Roitzsch (1805–1889)
Friedrich Conrad Griepenkerl (1782–1849)
Friedrich August Roitzsch (1805–1889)
Editore
Leipzig: C.F. Peters, No. 209, n.d.(ca.1850). Plate 2747.
Copyright
Complete
Complete
Breitkopf und Härtel, 1853.
Curatore
Carl Ferdinand Becker (1804–1877)
Editore
Bach-Gesellschaft Ausgabe, Band 3 (pp.263-308)
Leipzig: Breitkopf und Härtel, 1853. Plate B.W. III.
Leipzig: Breitkopf und Härtel, 1853. Plate B.W. III.
Copyright
Complete
Complete
Edition Peters, No. 200-219, n.d.(ca.1898).
Curatore
Carl Czerny (1791–1857)
Friedrich Conrad Griepenkerl (1782–1849)
Friedrich August Roitzsch (1805–1889)
Friedrich Conrad Griepenkerl (1782–1849)
Friedrich August Roitzsch (1805–1889)
Editore
Leipzig: Edition Peters, No. 200-219, n.d.(ca.1898). Plate 8854.
Osservazioni varie
This edition seems to be a new engraving of #19551, not altering content.
Copyright
Complete
Complete
Edition Peters, No. 4462, 1937.
Curatore
Kurt Soldan (1891–1946)
Carl Adolf Martienssen (1881–1955), fingering
Carl Adolf Martienssen (1881–1955), fingering
Editore
Leipzig: Edition Peters, No. 4462, 1937. Plate 11329.
Osservazioni varie
Grayscale
Copyright
Complete
Complete
G. Henle Verlag, 1962.
Curatore
Rudolf Steglich (1886–1976), editor
Walther Lampe (1872–1964), fingerings
Walther Lampe (1872–1964), fingerings
Editore
Klavierübung 2.-4. Teil, (pp.60-112)
München-Duisburg: G. Henle Verlag, 1962. Plate HN 129.
München-Duisburg: G. Henle Verlag, 1962. Plate HN 129.
Osservazioni varie
600 dpi.
Copyright
Complete
Complete
Bärenreiter, 1977.
Curatore
Christoph Wolff (b. 1940)
Mikhail Arkadev (b. 1958), revisions and commentary
Mikhail Arkadev (b. 1958), revisions and commentary
Lingua
Russian
Editore
Kassel: Bärenreiter, 1977. Plate BA 5162.
Ristampa
Концепция и комментарии М. Аркадьева
Moscow: Sovyetsky Kompozitor, 2002.
Moscow: Sovyetsky Kompozitor, 2002.
Copyright
Complete
Complete
Muzgiz, n.d.(ca.1980).
Curatore
Leonid Roizman (1916–1989)
Editore
Moscow: Muzgiz, n.d.(ca.1980).
Osservazioni varie
Preface removed
Copyright
Complete
Complete
Könemann Music, 1996.
Curatore
Tamás Zászkaliczky (b. 1943)
Editore
Budapest: Könemann Music, 1996. Plate K 169.
Osservazioni varie
600 dpi. Page size A4 (210 × 297mm). Urtext edition.
Copyright
Complete
Complete
Open Goldberg.
Curatore
Editore
Open Goldberg
Osservazioni varie
Open Goldberg Variations. Werner Schweer, editor. Peer reviewed on MuseScore.com
Complete
Complete
Creative Commons Attribution Non-commercial Share Alike 3.0
Martin Straeten.
Curatore
Editore
Martin Straeten
Osservazioni varie
Complete edition incl. Verschiedene Canones über die ersteren acht Fundamental-Noten der Arie, BWV 1087.
Edition based on the composer's copy of the first printing.
These file(s) are part of the Werner Icking Music Collection.
Edition based on the composer's copy of the first printing.
These file(s) are part of the Werner Icking Music Collection.
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0
Complete
Complete
Derk Van der Veen, 2022.
Curatore
Derk Van der Veen (b. 1972)
Editore
Derk Van der Veen, 2022.
Osservazioni varie
1) the first edition from 1741 has been converted to modern notation;
2) Bach's corrections have been implemented and notation errors that remained have also been addressed;
3) in addition, elements on which opinions may differ are discussed in advance along with those errata;
4) ornamental symbols have been taken from the first edition;
5) the layout and paper size have been chosen to make it easier to see the structure of the piece;
6) peer reviewed and thoroughly discussed by 10+ professional musicians.
2) Bach's corrections have been implemented and notation errors that remained have also been addressed;
3) in addition, elements on which opinions may differ are discussed in advance along with those errata;
4) ornamental symbols have been taken from the first edition;
5) the layout and paper size have been chosen to make it easier to see the structure of the piece;
6) peer reviewed and thoroughly discussed by 10+ professional musicians.
Complete
Complete
Nuno R. Rodrigues, 2024.
Curatore
Editore
Nuno R. Rodrigues, 2024.
Osservazioni varie
This edition is an update on the 2012 Open Goldberg edition. A list of changes is available at MuseScore.com
Complete
Complete
Edition Peters, No. 4482, 1937.
Curatore
Kurt Soldan (1891–1946)
Carl Adolf Martienssen (1881–1955), fingering
Carl Adolf Martienssen (1881–1955), fingering
Editore
Leipzig: Edition Peters, No. 4482, 1937. Plate 11329.
Osservazioni varie
Clean black-and-white copy
Copyright
Selections
Selections
Selections
Selections
Pierre Lafitte, 1907.
Editore
Album Musica, No.61
Paris: Pierre Lafitte, 1907.
Paris: Pierre Lafitte, 1907.
Copyright
Selections
Selections
RSB, 2011.
Curatore
Editore
RSB, 2011.
Osservazioni varie
This new typeset writes out the ornaments that in the first edition are given as symbols. But there are errors in their interpretation, such as the second beat of the 3rd bar of the Aria in which the initial turn starts on the wrong note. An appoggiatura is missing in the third bar before the end of the first page of the Aria. There may be additional errors in these files.
Selections
Selections
Creative Commons Attribution Non-commercial Share Alike 3.0
Joel Mayes.
Curatore
Editore
Joel Mayes
Osservazioni varie
These file(s) are part of the Werner Icking Music Collection.
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0
Aria
Aria
Aria
Aria
Bärenreiter Verlag, 1957.
Curatore
Georg von Dadelsen (1918–2007)
Editore
Neue Bach-Ausgabe, Serie V, Band 4 (pp.103)
Kassel: Bärenreiter Verlag, 1957. Plate BA 5008.
Kassel: Bärenreiter Verlag, 1957. Plate BA 5008.
Osservazioni varie
600 dpi. Page size is 10.00 x 12.688 inches. From the 1725 notebook of the Notebooks for Anna Magdalena Bach (No.26).
Copyright
Aria
Aria
Bärenreiter, 1957.
Curatore
Georg von Dadelsen (1918–2007)
Editore
Notebook for Anna Magdalena Bach, 1725 (p.25)
Kassel: Bärenreiter, 1957. Plate BA 5164.
Kassel: Bärenreiter, 1957. Plate BA 5164.
Osservazioni varie
600 dpi. From the 1725 notebook of the Notebooks for Anna Magdalena Bach (No.26).
Copyright