Spartiti
Spartiti
Marcello Capra, n.d.(ca.1899).
Editore
L'Organista Italiano, XX Pezzi per Organo
Turin: Marcello Capra, n.d.(ca.1899). Plate M.21.l C.
Turin: Marcello Capra, n.d.(ca.1899). Plate M.21.l C.
Osservazioni varie
600 dpi
Copyright
Alfred Coppenrath's Verlag (H. Pawelek), 1910.
Curatore
Otto Gauß (1877-1970) and others*
Editore
L'Organista italiano
Torino: Marcello Capra, (ca.1900).
Reissue - Orgel-Kompositionen aus alter und neuer Zeit (Vol.4)
Regensburg: Alfred Coppenrath's Verlag (H. Pawelek), 1910. Plate IV.
Torino: Marcello Capra, (ca.1900).
Reissue - Orgel-Kompositionen aus alter und neuer Zeit (Vol.4)
Regensburg: Alfred Coppenrath's Verlag (H. Pawelek), 1910. Plate IV.
Osservazioni varie
Scanned at 600dpi grayscale, converted to monochrome.
*The extent and nature of Gauß's contribution is not defined in this edition, nor is that of the other editors mentioned in the preface.
*The extent and nature of Gauß's contribution is not defined in this edition, nor is that of the other editors mentioned in the preface.
Copyright
Marcello Capra, n.d.(ca.1899).
Editore
L'Organista Italiano, XX Pezzi per Organo
Turin: Marcello Capra, n.d.(ca.1899). Plate M.21.l C.
Turin: Marcello Capra, n.d.(ca.1899). Plate M.21.l C.
Osservazioni varie
600 dpi
Copyright
Alfred Coppenrath's Verlag (H. Pawelek), 1910.
Curatore
Otto Gauß (1877-1970) and others*
Editore
L'Organista italiano
Torino: Marcello Capra, (ca.1900).
Reissue - Orgel-Kompositionen aus alter und neuer Zeit (Vol.4)
Regensburg: Alfred Coppenrath's Verlag (H. Pawelek), 1910. Plate IV.
Torino: Marcello Capra, (ca.1900).
Reissue - Orgel-Kompositionen aus alter und neuer Zeit (Vol.4)
Regensburg: Alfred Coppenrath's Verlag (H. Pawelek), 1910. Plate IV.
Osservazioni varie
Scanned at 600dpi grayscale, converted to monochrome.
*The extent and nature of Gauß's contribution is not defined in this edition, nor is that of the other editors mentioned in the preface.
*The extent and nature of Gauß's contribution is not defined in this edition, nor is that of the other editors mentioned in the preface.
Copyright