Complete, H 133 A
Spartiti
Esecuzioni
Partiture
Holograph manuscript, 1856-63.
Editore
Holograph manuscript, 1856-63.
Copyright
Bärenreiter-Verlag, 1969.
Curatore
Hugh Macdonald (1940*)
Editore
New Edition of the Complete Works, Vol.2a–b
Kassel: Bärenreiter-Verlag, 1969. Plate BA 5442/I–II.
Kassel: Bärenreiter-Verlag, 1969. Plate BA 5442/I–II.
Osservazioni varie
600 dpi
Copyright
La prise de Troie (Part 1)
La prise de Troie (Part 1)
Choudens, n.d.[1899].
Curatore
First edition
Editore
Paris: Choudens, n.d.[1899]. Plate A.C. 11,222.
Ristampa
New York: Edwin F. Kalmus, n.d.(ca.1970). Catalog 515.
Osservazioni varie
Bookmarked by Act.
Note: The original Act I is here split into “Acts I and II”; the two tableaux of Act II now comprise “Act III”.
To accomodate the break in the middle of Act I, the last four bars of page 80 are altered into a final cadence, and the following Hymne troyenne has a new introduction grafted onto the front finishing at figure A on page 82.
The Hymne troyenne and Combat de ceste (pp.81–105) are an interpolation of previously typeset score by Choudens ca.1885; the majority of the typesetting appears to be the work of Breitkopf und Härtel.
Note: The original Act I is here split into “Acts I and II”; the two tableaux of Act II now comprise “Act III”.
To accomodate the break in the middle of Act I, the last four bars of page 80 are altered into a final cadence, and the following Hymne troyenne has a new introduction grafted onto the front finishing at figure A on page 82.
The Hymne troyenne and Combat de ceste (pp.81–105) are an interpolation of previously typeset score by Choudens ca.1885; the majority of the typesetting appears to be the work of Breitkopf und Härtel.
Copyright
Les Troyens à Carthage (Part 2)
Les Troyens à Carthage (Part 2)
Choudens, n.d.(1885).
Curatore
First edition
Editore
Paris: Choudens, n.d.(1885). Plate A.C. 6030.
Ristampa
New York: E.F. Kalmus, n.d.[ca.1970]. Catalog 516.
Osservazioni varie
Contains many cuts and interpolations from Acts III–V of Les Troyens, too numerous to mention here; please refer to the discussion page.
Note: Act III is renamed as “Act I”; only the second tableau of Act IV is included as “Act II”; the first tableau of Act V comprises “Act III”, and the remainder of the Act becomes “Act IV”.
Note: Act III is renamed as “Act I”; only the second tableau of Act IV is included as “Act II”; the first tableau of Act V comprises “Act III”, and the remainder of the Act becomes “Act IV”.
Copyright
Prélude à Les Troyens à Carthage
Prélude à Les Troyens à Carthage
Breitkopf und Härtel, 1900–07.
Curatore
Charles Malherbe (1853–1911)
Felix Weingartner (1863–1942)
Felix Weingartner (1863–1942)
Editore
Hector Berlioz Werke, Serie II, Band 5
Leipzig: Breitkopf und Härtel, 1900–07. Plate H.B. 14.
Leipzig: Breitkopf und Härtel, 1900–07. Plate H.B. 14.
Ristampa
Mineola: Dover Publications, 1995.
Copyright
Breitkopf und Härtel, 1900–07.
Curatore
Charles Malherbe (1853–1911)
Felix Weingartner (1863–1942)
Felix Weingartner (1863–1942)
Editore
Hector Berlioz Werke, Serie II, Band 6
Leipzig: Breitkopf und Härtel, 1900–07. Plate H.B. 22.
Leipzig: Breitkopf und Härtel, 1900–07. Plate H.B. 22.
Ristampa
New York: E.F. Kalmus, n.d.[1933–70]. Catalog A3167.
Copyright
In questa pagina
Complete, H 133 A
Complete, H 133 A
Complete, H 133 A
Complete, H 133 A
Holograph manuscript, 1856-63.
Editore
Holograph manuscript, 1856-63.
Copyright
Complete, H 133 A
Complete, H 133 A
Bärenreiter-Verlag, 1969.
Curatore
Hugh Macdonald (1940*)
Editore
New Edition of the Complete Works, Vol.2a–b
Kassel: Bärenreiter-Verlag, 1969. Plate BA 5442/I–II.
Kassel: Bärenreiter-Verlag, 1969. Plate BA 5442/I–II.
Osservazioni varie
600 dpi
Copyright
La prise de Troie (Part 1)
La prise de Troie (Part 1)
La prise de Troie (Part 1)
La prise de Troie (Part 1)
Choudens, n.d.[1899].
Curatore
First edition
Editore
Paris: Choudens, n.d.[1899]. Plate A.C. 11,222.
Ristampa
New York: Edwin F. Kalmus, n.d.(ca.1970). Catalog 515.
Osservazioni varie
Bookmarked by Act.
Note: The original Act I is here split into “Acts I and II”; the two tableaux of Act II now comprise “Act III”.
To accomodate the break in the middle of Act I, the last four bars of page 80 are altered into a final cadence, and the following Hymne troyenne has a new introduction grafted onto the front finishing at figure A on page 82.
The Hymne troyenne and Combat de ceste (pp.81–105) are an interpolation of previously typeset score by Choudens ca.1885; the majority of the typesetting appears to be the work of Breitkopf und Härtel.
Note: The original Act I is here split into “Acts I and II”; the two tableaux of Act II now comprise “Act III”.
To accomodate the break in the middle of Act I, the last four bars of page 80 are altered into a final cadence, and the following Hymne troyenne has a new introduction grafted onto the front finishing at figure A on page 82.
The Hymne troyenne and Combat de ceste (pp.81–105) are an interpolation of previously typeset score by Choudens ca.1885; the majority of the typesetting appears to be the work of Breitkopf und Härtel.
Copyright
Les Troyens à Carthage (Part 2)
Les Troyens à Carthage (Part 2)
Les Troyens à Carthage (Part 2)
Les Troyens à Carthage (Part 2)
Choudens, n.d.(1885).
Curatore
First edition
Editore
Paris: Choudens, n.d.(1885). Plate A.C. 6030.
Ristampa
New York: E.F. Kalmus, n.d.[ca.1970]. Catalog 516.
Osservazioni varie
Contains many cuts and interpolations from Acts III–V of Les Troyens, too numerous to mention here; please refer to the discussion page.
Note: Act III is renamed as “Act I”; only the second tableau of Act IV is included as “Act II”; the first tableau of Act V comprises “Act III”, and the remainder of the Act becomes “Act IV”.
Note: Act III is renamed as “Act I”; only the second tableau of Act IV is included as “Act II”; the first tableau of Act V comprises “Act III”, and the remainder of the Act becomes “Act IV”.
Copyright
Prélude à Les Troyens à Carthage
Prélude à Les Troyens à Carthage
Prélude à Les Troyens à Carthage
Prélude à Les Troyens à Carthage
Breitkopf und Härtel, 1900–07.
Curatore
Charles Malherbe (1853–1911)
Felix Weingartner (1863–1942)
Felix Weingartner (1863–1942)
Editore
Hector Berlioz Werke, Serie II, Band 5
Leipzig: Breitkopf und Härtel, 1900–07. Plate H.B. 14.
Leipzig: Breitkopf und Härtel, 1900–07. Plate H.B. 14.
Ristampa
Mineola: Dover Publications, 1995.
Copyright
Prélude à Les Troyens à Carthage
Prélude à Les Troyens à Carthage
Breitkopf und Härtel, 1900–07.
Curatore
Charles Malherbe (1853–1911)
Felix Weingartner (1863–1942)
Felix Weingartner (1863–1942)
Editore
Hector Berlioz Werke, Serie II, Band 6
Leipzig: Breitkopf und Härtel, 1900–07. Plate H.B. 22.
Leipzig: Breitkopf und Härtel, 1900–07. Plate H.B. 22.
Ristampa
New York: E.F. Kalmus, n.d.[1933–70]. Catalog A3167.
Copyright
Prélude à Les Troyens à Carthage
Prélude à Les Troyens à Carthage
Bärenreiter-Verlag, 1970.
Curatore
Hugh Macdonald (b. 1940*)
Editore
New Edition of the Complete Works, Vol.2c
Kassel: Bärenreiter-Verlag, 1970. Plate BA 5442.
Kassel: Bärenreiter-Verlag, 1970. Plate BA 5442.
Osservazioni varie
600 dpi
Copyright
Marche troyenne, H 133 B
Marche troyenne, H 133 B
Marche troyenne, H 133 B
Marche troyenne, H 133 B
Breitkopf und Härtel, 1900–07.
Curatore
Charles Malherbe (1853–1911)
Felix Weingartner (1863–1942)
Felix Weingartner (1863–1942)
Editore
Hector Berlioz Werke, Serie II, Band 6
Leipzig: Breitkopf und Härtel, 1900–07. Plate H.B. 22.
Leipzig: Breitkopf und Härtel, 1900–07. Plate H.B. 22.
Osservazioni varie
Concert arrangement of music from H 133 A, Act I
Copyright
Marche troyenne, H 133 B
Marche troyenne, H 133 B
Bärenreiter-Verlag, 1970.
Curatore
Hugh Macdonald (b. 1940*)
Editore
New Edition of the Complete Works, Vol.2c
Kassel: Bärenreiter-Verlag, 1970. Plate BA 5442.
Kassel: Bärenreiter-Verlag, 1970. Plate BA 5442.
Osservazioni varie
600 dpi
Copyright
Chasse royale et Orage, Symphonie descriptive (concert version)
Chasse royale et Orage, Symphonie descriptive (concert version)
Chasse royale et Orage, Symphonie descriptive (concert version)
Chasse royale et Orage, Symphonie descriptive (concert version)
Choudens, n.d.(ca.1886).
Editore
Paris: Choudens, n.d.(ca.1886). Plate A.C. 6084.
Ristampa
New York: E.F. Kalmus, n.d.[1933–70]. Catalog A1309
Osservazioni varie
Parts were issued in 1866 but the score lagged 2 decades behind.
Copyright
Chasse royale et Orage, Symphonie descriptive (concert version)
Chasse royale et Orage, Symphonie descriptive (concert version)
Bärenreiter-Verlag, 1970.
Curatore
Hugh Macdonald (b. 1940*)
Editore
New Edition of the Complete Works, Vol.2c
Kassel: Bärenreiter-Verlag, 1970. Plate BA 5442.
Kassel: Bärenreiter-Verlag, 1970. Plate BA 5442.
Osservazioni varie
Berlioz’s 1863 re-orchestration for the smaller Théâtre-Lyrique forces: original Choudens parts also available.
600 dpi
600 dpi
Copyright
Original Act V Finale
Original Act V Finale
Original Act V Finale
Original Act V Finale
Holograph Manuscript, 1858.
Editore
Holograph Manuscript, 1858.
Osservazioni varie
Copyright
Original Act V Finale
Original Act V Finale
Bärenreiter-Verlag, 1970.
Curatore
Hugh Macdonald (b. 1940*)
Editore
New Edition of the Complete Works, Vol.2c
Kassel: Bärenreiter-Verlag, 1970. Plate BA 5442.
Kassel: Bärenreiter-Verlag, 1970. Plate BA 5442.
Osservazioni varie
600 dpi
Copyright