Entrée pontificale (No.1)
Spartiti
Esecuzioni
Spartiti
J. Rieter-Biedermann, 1895.
Curatore
First edition
Incisore
Leipzig: C.G. Röder.
Editore
Leipzig: J. Rieter-Biedermann, 1895. Plate 2034.
Osservazioni varie
This file is part of the Sibley Mirroring Project. The title-page makes it clear that the plates for the 5 pieces are 2030-2034, with the plate for this work being 2034 specifically.
Copyright
Unidentified Publisher, n.d.
Editore
Unidentified Publisher, n.d.
Osservazioni varie
The first edition score has the title, "Entrée pontifical", right. Entrée is a masculine noun in this context, I believe, so pontifical. (The notes to the Tactus recording disagree with me here, though.)
Copyright
Les Éditions Outremontaises, 2010.
Curatore
Editore
Montréal: Les Éditions Outremontaises, 2010
Osservazioni varie
These file(s) are part of the Werner Icking Music Collection.
In questa pagina
J. Rieter-Biedermann, 1895.
Curatore
First edition
Incisore
Leipzig: C.G. Röder.
Editore
Leipzig: J. Rieter-Biedermann, 1895. Plate 2034.
Osservazioni varie
This file is part of the Sibley Mirroring Project. The title-page makes it clear that the plates for the 5 pieces are 2030-2034, with the plate for this work being 2034 specifically.
Copyright
Entrée pontificale (No.1)
Entrée pontificale (No.1)
Entrée pontificale (No.1)
Entrée pontificale (No.1)
Unidentified Publisher, n.d.
Editore
Unidentified Publisher, n.d.
Osservazioni varie
The first edition score has the title, "Entrée pontifical", right. Entrée is a masculine noun in this context, I believe, so pontifical. (The notes to the Tactus recording disagree with me here, though.)
Copyright
Entrée pontificale (No.1)
Entrée pontificale (No.1)
Les Éditions Outremontaises, 2010.
Curatore
Editore
Montréal: Les Éditions Outremontaises, 2010
Osservazioni varie
These file(s) are part of the Werner Icking Music Collection.