Complete
Spartiti
Esecuzioni
Spartiti
Polskie Wydawnictwo Muzyczne, 1950.
Editore
Dzieła wszystkie Fryderyka Chopina, Vol.VI: Sonatas (pp.46-70)
Warsaw: Polskie Wydawnictwo Muzyczne, 1950. Plate PWM 235.
Warsaw: Polskie Wydawnictwo Muzyczne, 1950. Plate PWM 235.
Copyright
PWM, 1995.
Curatore
Jan Ekier (1913–2014)
Paweł Kamiński (b. 1958)
Paweł Kamiński (b. 1958)
Editore
National Edition of the Works of Fryderyk Chopin, Series A, Vol.X (pp.11–37)
Kraków: PWM, 1995. Plate PWM 9731.
Kraków: PWM, 1995. Plate PWM 9731.
Osservazioni varie
600 dpi. For information on fingering indications and a link to the source and performance commentary, see the link to the National Edition in the Publisher Information above.
Copyright
Manuscript, n.d.(ca.1840).
Copista
Adolf Gutmann (1819–1882)
Editore
Manuscript, n.d.(ca.1840).
Osservazioni varie
Stichvorlage (engraver's copy)
Low resolution color scan.
Low resolution color scan.
Copyright
Breitkopf und Härtel, n.d.[1840].
Curatore
First edition (German)
Editore
Leipzig: Breitkopf und Härtel, n.d.[1840]. Plate 6329.
Osservazioni varie
Originally scanned at about 180dpi color, converted to 600dpi monochrome.
The score should get cleaned to get a perfectly reprintable version, but I'm lazy. If I get asked for it from many people I may take the time. It seems like the photos (no scans) have slightly different resolution on different pages. To scale correctly every page scaling would have to be adjusted separately.
The score should get cleaned to get a perfectly reprintable version, but I'm lazy. If I get asked for it from many people I may take the time. It seems like the photos (no scans) have slightly different resolution on different pages. To scale correctly every page scaling would have to be adjusted separately.
Copyright
Breitkopf und Härtel, n.d.[1878].
Curatore
Johannes Brahms (1833–1897)
Editore
Friedrich Chopin's Werke. Band VIII (pp.2-17)
Leipzig: Breitkopf und Härtel, n.d.[1878]. Plate C. VIII.1.
Leipzig: Breitkopf und Härtel, n.d.[1878]. Plate C. VIII.1.
Osservazioni varie
The principal editor of the Sonatas was Johannes Brahms. Publication date from Hofmeister's Verzeichnis. Original scans: 300dpi, grayscale jpg2000 images 3050 by 3900 pixels. Converted to black and white tif files, de-skewed, re-sampled to 600dpi, and set uniform margins.
Copyright
C.F. Peters, n.d.[1879].
Curatore
Herrmann Scholtz (1845–1918)
Editore
Sämtliche Pianoforte-Werke, Band III (pp.599-617)
Leipzig: C.F. Peters, n.d.[1879]. Plate 6208.
Leipzig: C.F. Peters, n.d.[1879]. Plate 6208.
Osservazioni varie
scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
Copyright
In questa pagina
Fine
Complete
Complete
Polskie Wydawnictwo Muzyczne, 1950.
Editore
Dzieła wszystkie Fryderyka Chopina, Vol.VI: Sonatas (pp.46-70)
Warsaw: Polskie Wydawnictwo Muzyczne, 1950. Plate PWM 235.
Warsaw: Polskie Wydawnictwo Muzyczne, 1950. Plate PWM 235.
Copyright
Complete
Complete
PWM, 1995.
Curatore
Jan Ekier (1913–2014)
Paweł Kamiński (b. 1958)
Paweł Kamiński (b. 1958)
Editore
National Edition of the Works of Fryderyk Chopin, Series A, Vol.X (pp.11–37)
Kraków: PWM, 1995. Plate PWM 9731.
Kraków: PWM, 1995. Plate PWM 9731.
Osservazioni varie
600 dpi. For information on fingering indications and a link to the source and performance commentary, see the link to the National Edition in the Publisher Information above.
Copyright
Complete
Complete
Manuscript, n.d.(ca.1840).
Copista
Adolf Gutmann (1819–1882)
Editore
Manuscript, n.d.(ca.1840).
Osservazioni varie
Stichvorlage (engraver's copy)
Low resolution color scan.
Low resolution color scan.
Copyright
Complete
Complete
Breitkopf und Härtel, n.d.[1840].
Curatore
First edition (German)
Editore
Leipzig: Breitkopf und Härtel, n.d.[1840]. Plate 6329.
Osservazioni varie
Originally scanned at about 180dpi color, converted to 600dpi monochrome.
The score should get cleaned to get a perfectly reprintable version, but I'm lazy. If I get asked for it from many people I may take the time. It seems like the photos (no scans) have slightly different resolution on different pages. To scale correctly every page scaling would have to be adjusted separately.
The score should get cleaned to get a perfectly reprintable version, but I'm lazy. If I get asked for it from many people I may take the time. It seems like the photos (no scans) have slightly different resolution on different pages. To scale correctly every page scaling would have to be adjusted separately.
Copyright
Complete
Complete
Breitkopf und Härtel, n.d.[1878].
Curatore
Johannes Brahms (1833–1897)
Editore
Friedrich Chopin's Werke. Band VIII (pp.2-17)
Leipzig: Breitkopf und Härtel, n.d.[1878]. Plate C. VIII.1.
Leipzig: Breitkopf und Härtel, n.d.[1878]. Plate C. VIII.1.
Osservazioni varie
The principal editor of the Sonatas was Johannes Brahms. Publication date from Hofmeister's Verzeichnis. Original scans: 300dpi, grayscale jpg2000 images 3050 by 3900 pixels. Converted to black and white tif files, de-skewed, re-sampled to 600dpi, and set uniform margins.
Copyright
Complete
Complete
C.F. Peters, n.d.[1879].
Curatore
Herrmann Scholtz (1845–1918)
Editore
Sämtliche Pianoforte-Werke, Band III (pp.599-617)
Leipzig: C.F. Peters, n.d.[1879]. Plate 6208.
Leipzig: C.F. Peters, n.d.[1879]. Plate 6208.
Osservazioni varie
scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
Copyright
Complete
Complete
Augener, No. ?, n.d.[1883].
Curatore
Karl Klindworth (1830–1916)
Xaver Scharwenka (1850–1924)
Xaver Scharwenka (1850–1924)
Editore
Oeuvres pour le piano, Vol.16: Sonatas (pp.27-46)
London: Augener, No. ?, n.d.[1883]. Plate 8077.
London: Augener, No. ?, n.d.[1883]. Plate 8077.
Osservazioni varie
Title in French, editorial remarks in English. (Corner page numbers 701-720)
Copyright
Complete
Complete
G. Schirmer, 1883.
Curatore
Theodor Kullak (1818–1882)
Traduttore
Albert Ross Parsons (1847–1933)
Editore
Klavierwerke. Instructive Ausgabe, Vol.X: Sonatas (pp.24-41)
Berlin: Schlesinger'sche Buch-und Musikhandlung, 1883. Plate S. 7295(2).
Co-issue - New York: G. Schirmer, 1883.
Berlin: Schlesinger'sche Buch-und Musikhandlung, 1883. Plate S. 7295(2).
Co-issue - New York: G. Schirmer, 1883.
Osservazioni varie
This file is part of the Sibley Mirroring Project.
Copyright
Complete
Complete
G. Schirmer, 1895.
Curatore
Carl Mikuli (1819–1897)
Editore
Complete Works for the Piano, Vol.9: Sonatas (pp.35-57)
New York: G. Schirmer, 1895. Plate 11744..
Reissue – Vol.11 LMC 35, 1915.
New York: G. Schirmer, 1895. Plate 11744..
Reissue – Vol.11 LMC 35, 1915.
Osservazioni varie
Original scans: 300dpi, grayscale jpg2000 files approximately 2600 by 3450 pixels. Converted to black and white tif files, de-skewed, re-sampled to 600dpi, and set uniform margins.
Copyright
Complete
Complete
Maurice Senart, 1930.
Curatore
Alfred Cortot (1877–1962)
Editore
Edition de travail des œuvres de Chopin
Paris: Maurice Senart, 1930. Plate E.M.S. 5192.
Paris: Maurice Senart, 1930. Plate E.M.S. 5192.
Copyright
Complete
Complete
Maurice Senart, 1930.
Curatore
Alfred Cortot (1877–1962)
Editore
Edition de travail des œuvres de Chopin
Paris: Maurice Senart, 1930. Plate E.M.S. 5192.
Oliver Ullman and Miguel Meléndez, 2025.
Paris: Maurice Senart, 1930. Plate E.M.S. 5192.
Oliver Ullman and Miguel Meléndez, 2025.
Osservazioni varie
English Translations of Cortot's French Commentary by Oliver Ullman and Miguel Meléndez.
Complete
Complete
C.F. Peters, n.d.
Editore
Leipzig: C.F. Peters, n.d.
Copyright
Marche funèbre (No.3)
Marche funèbre (No.3)
Marche funèbre (No.3)
Marche funèbre (No.3)
R. Friedlein, n.d.(ca.1850).
Editore
Warsaw: R. Friedlein, n.d.(ca.1850).
Osservazioni varie
This file is part of the Submission Project.
Copyright
Marche funèbre (No.3)
Marche funèbre (No.3)
Breitkopf und Härtel, n.d.(ca.1853).
Editore
Leipzig: Breitkopf und Härtel, n.d.(ca.1853). Plate 8728.
Osservazioni varie
originally scanned at 300dpi color, changed to 600dpi monocrome, cleaned scores manually
Copyright
Marche funèbre (No.3)
Marche funèbre (No.3)
Schuberth & Co., n.d.
Editore
Leipzig: Schuberth & Co., n.d. Plate 5773.
Osservazioni varie
From the uploader's library. Coupled with Op.72. Eighth number of a bound volume of mixed origins with undated owner's stamp : E.Hertzog / ev. Pfarrer / Colmar i.E.
Copyright
Marche funèbre (No.3)
Marche funèbre (No.3)
W. H. Glen & Co., n.d.(1877-82).
Curatore
Editore
Melbourne: W. H. Glen & Co., n.d.(1877-82). Plate D & S 4524.
Osservazioni varie
Low resolution
Copyright
Marche funèbre (No.3)
Marche funèbre (No.3)
G. Schirmer, 1882.
Curatore
Theodor Kullak (1818–1882)
Traduttore
Albert Ross Parsons (1847–1933)
Editore
Klavierwerke. Instructive Ausgabe, Vol.XIII: Verschiedene Werke (pp.11-13)
Berlin: Schlesinger'sche Buch-und Musikhandlung, 1882. Plate S. 7295(II) u. S.7316(2).
Co-issue - New York: G. Schirmer, 1882.
Berlin: Schlesinger'sche Buch-und Musikhandlung, 1882. Plate S. 7295(II) u. S.7316(2).
Co-issue - New York: G. Schirmer, 1882.
Osservazioni varie
This file is part of the Sibley Mirroring Project.
Copyright
Marche funèbre (No.3)
Marche funèbre (No.3)
B.J. Smit & Co., n.d.(ca.1890).
Editore
Amsterdam: B.J. Smit & Co., n.d.(ca.1890). Plate 17.
Osservazioni varie
This file is part of the Submission Project.
Copyright
Marche funèbre (No.3)
Marche funèbre (No.3)
Friedrich Hofmeister, No. 146, 1898.
Curatore
Heinrich Germer (1837–1913)
Editore
Akademische Neuausgabe beliebter Klavierwerke, Vol.2 No.21
Leipzig: Friedrich Hofmeister, No. 146, 1898. Plate G. 27.
Leipzig: Friedrich Hofmeister, No. 146, 1898. Plate G. 27.
Osservazioni varie
This file is part of the Submission Project.
Copyright
Marche funèbre (No.3)
Marche funèbre (No.3)
Eclipse Publishing Co., n.d.[1914?].
Curatore
Karl Klindworth (1830–1916)
Editore
Philadelphia: Eclipse Publishing Co., n.d.[1914?].
Osservazioni varie
This file is part of the Submission Project.
Copyright
Marche funèbre (No.3)
Marche funèbre (No.3)
Century Music Co., n.d.
Editore
Classic and Modern Standard Compositions for the Piano, Sixth Series
New York: Century Music Co., n.d. Plate 587.
New York: Century Music Co., n.d. Plate 587.
Osservazioni varie
This file is part of the Submission Project.
Copyright
Marche funèbre (No.3)
Marche funèbre (No.3)
Polskie Wydawnictwo Muzyczne, n.d.
Editore
Krakow: Polskie Wydawnictwo Muzyczne, n.d. Plate PWM 6053.
Copyright
Marche funèbre (No.3)
Marche funèbre (No.3)
Les Éditions Outremontaises, 2006.
Curatore
Editore
Montréal: Les Éditions Outremontaises, 2006
Osservazioni varie
These file(s) are part of the Werner Icking Music Collection.
Marche funèbre (No.3)
Marche funèbre (No.3)
Viktor Keil, 2024.
Finale. Presto (No.4)
Finale. Presto (No.4)
Finale. Presto (No.4)
Finale. Presto (No.4)
Timothy Nicholas Martin, 2020.
Curatore
Timothy Nicholas Martin (b. 1954)
Editore
Timothy Nicholas Martin, 2020.
Osservazioni varie
Right hand raised by a minor third.