Spartiti
Esecuzioni
Spartiti e parti
Bärenreiter, 1928.
Curatore
Wilibald Gurlitt (1891-1963), also continuo realization
First edition
First edition
Editore
Kassel: Bärenreiter, 1928. Plate BA 265.
Osservazioni varie
Scanned at 600dpi grayscale, converted to monochrome.
Preface omitted. The orignal material is represented as having been faithfully copied from the copy which belongs to the Uppsala University library. The continuo realization is Gurlitt's.
Preface omitted. The orignal material is represented as having been faithfully copied from the copy which belongs to the Uppsala University library. The continuo realization is Gurlitt's.
Copyright
Ugrino, 1931.
Curatore
Gottlieb Harms (1893–1931)
Editore
Dietrich Buxtehude Werke, Band 4. (pp.12-20)
Hamburg: Ugrino, 1931. Plate D.B.4.
Hamburg: Ugrino, 1931. Plate D.B.4.
Copyright
Kurt Pages.
Curatore
Editore
Kurt Pages
Osservazioni varie
New edition with basso continuo part according to the facsimiles of the manuscript parts from the Duben Collection, Uppsala. The values of the notes were kept, the original C clefs of the soprano II, alto and tenor parts are transformed into G clefs
Bärenreiter, 1928.
Curatore
Wilibald Gurlitt (1891-1963), also continuo realization
First edition
First edition
Editore
Kassel: Bärenreiter, 1928. Plate BA 265.
Osservazioni varie
Scanned at 600dpi grayscale, converted to monochrome.
Preface omitted. The orignal material is represented as having been faithfully copied from the copy which belongs to the Uppsala University library. The continuo realization is Gurlitt's.
Preface omitted. The orignal material is represented as having been faithfully copied from the copy which belongs to the Uppsala University library. The continuo realization is Gurlitt's.
Copyright
Ugrino, 1931.
Curatore
Gottlieb Harms (1893–1931)
Editore
Dietrich Buxtehude Werke, Band 4. (pp.12-20)
Hamburg: Ugrino, 1931. Plate D.B.4.
Hamburg: Ugrino, 1931. Plate D.B.4.
Copyright
Kurt Pages.
Curatore
Editore
Kurt Pages
Osservazioni varie
New edition with basso continuo part according to the facsimiles of the manuscript parts from the Duben Collection, Uppsala. The values of the notes were kept, the original C clefs of the soprano II, alto and tenor parts are transformed into G clefs