Original version, Wq.30
Orfeo ed Euridice, Wq.30
Altre informazioni
Spartiti
Esecuzioni
Partiture
Manuscript, n.d.[1762?].
Lingua
Italian
Editore
Manuscript, n.d.[1762?].
Osservazioni varie
The Morgan Library & Museum, New York (US-NYpm): Cary 39
This file is part of the Submission Project.
This file is part of the Submission Project.
Copyright
Manuscript, n.d.
Editore
Manuscript, n.d.
Osservazioni varie
Österreichische Nationalbibliothek, Vienna (A-Wn) : Mus.Hs.17783
Copyright
Duchesne, 1764.
Manuscript, 1838-1900.
Editore
Manuscript, 1838-1900.
Osservazioni varie
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus. 3030-F-504
Copyright
Österreichischer Bundesverlag, 1914.
Curatore
Hermann Abert (1871–1927)
Lingua
Italian / German
Editore
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Osservazioni varie
This file is part of the Sibley Mirroring Project.
Copyright
Österreichischer Bundesverlag, 1914.
Curatore
Hermann Abert (1871–1927)
Lingua
Italian / German
Editore
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Ristampa
Orfeo ed Euridice in Full Score
Mineola: Dover Publications, 1992.
Mineola: Dover Publications, 1992.
Copyright
In questa pagina
Orfeo ed Euridice, Wq.30
Altre informazioni
Original version, Wq.30
Original version, Wq.30
Original version, Wq.30
Original version, Wq.30
Manuscript, n.d.[1762?].
Lingua
Italian
Editore
Manuscript, n.d.[1762?].
Osservazioni varie
The Morgan Library & Museum, New York (US-NYpm): Cary 39
This file is part of the Submission Project.
This file is part of the Submission Project.
Copyright
Original version, Wq.30
Original version, Wq.30
Manuscript, n.d.
Editore
Manuscript, n.d.
Osservazioni varie
Österreichische Nationalbibliothek, Vienna (A-Wn) : Mus.Hs.17783
Copyright
Original version, Wq.30
Original version, Wq.30
Duchesne, 1764.
Original version, Wq.30
Original version, Wq.30
Manuscript, 1838-1900.
Editore
Manuscript, 1838-1900.
Osservazioni varie
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus. 3030-F-504
Copyright
Original version, Wq.30
Original version, Wq.30
Österreichischer Bundesverlag, 1914.
Curatore
Hermann Abert (1871–1927)
Lingua
Italian / German
Editore
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Osservazioni varie
This file is part of the Sibley Mirroring Project.
Copyright
Original version, Wq.30
Original version, Wq.30
Österreichischer Bundesverlag, 1914.
Curatore
Hermann Abert (1871–1927)
Lingua
Italian / German
Editore
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Ristampa
Orfeo ed Euridice in Full Score
Mineola: Dover Publications, 1992.
Mineola: Dover Publications, 1992.
Copyright
Original version, Wq.30
Original version, Wq.30
Bärenreiter, 1962.
Curatore
Anna Amalie Abert (1906–1996)
Ludwig Finscher (1930–2020)
Ludwig Finscher (1930–2020)
Lingua
Italian / German
Editore
Kassel: Bärenreiter, 1962. Plate BA 2294
Copyright
Original version, Wq.30
Original version, Wq.30
Bärenreiter, 1962.
Curatore
Anna Amalie Abert (1906–1996)
Ludwig Finscher (1930–2020)
Ludwig Finscher (1930–2020)
Editore
Kassel: Bärenreiter, 1962. Plate BA 2294.
Osservazioni varie
add missing p.116 to #338237; rescan p.183 of #338237; turn #338237 from greyscale to B&W
Copyright
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Manuscript, n.d.[1774].
Copista
Copyist S-Dl-547
Copyist S-Dl-548
Copyist S-Dl-548
Editore
Manuscript, n.d.[1774].
Osservazioni varie
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus. 3030-F-13
Co-composed by Domenico Fischietti (ca. 1725-1783) with movements by Johann Christian Bach (1735-1782) and Josef Mysliveček (1737-1781)
Co-composed by Domenico Fischietti (ca. 1725-1783) with movements by Johann Christian Bach (1735-1782) and Josef Mysliveček (1737-1781)
Copyright
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Manuscript, 1773.
Editore
Manuscript, 1773.
Osservazioni varie
Bayerische Staatsbibliothek, Munich (D-Mbs) : Mus.ms. 22341
Copyright
Pasticcio version (Naples, 1774)
Pasticcio version (Naples, 1774)
Pasticcio version (Naples, 1774)
Pasticcio version (Naples, 1774)
Manuscript, n.d.(ca.1774).
Editore
Manuscript, n.d.(ca.1774).
Osservazioni varie
Biblioteca del Conservatorio di musica S. Pietro a Majella (I-Nc) : 27.4.5-7
Most of Gluck's original music has been retained here, but to stretch this "festa teatrale" into a full-length opera, no less than twelve additional pieces have been inserted. Most of them were composed by Johann Christian Bach for the 1770 London performance, except for "La legge accetto", which Bach wrote exclusively for this Neapolitan production. - The chorus "Sciolto ognun dal terreo vel" is a parody of the opening chorus ("Oh the pleasure of the plains") from Handel's "Acis and Galathea"; the following aria "Se quel dolor che sento" is a slightly modernized reworking of "Se al labbro mio non credi", originally written by Riccardo Broschi for the London revival of Hasse's "Artaserse" in 1734 (!).
Most of Gluck's original music has been retained here, but to stretch this "festa teatrale" into a full-length opera, no less than twelve additional pieces have been inserted. Most of them were composed by Johann Christian Bach for the 1770 London performance, except for "La legge accetto", which Bach wrote exclusively for this Neapolitan production. - The chorus "Sciolto ognun dal terreo vel" is a parody of the opening chorus ("Oh the pleasure of the plains") from Handel's "Acis and Galathea"; the following aria "Se quel dolor che sento" is a slightly modernized reworking of "Se al labbro mio non credi", originally written by Riccardo Broschi for the London revival of Hasse's "Artaserse" in 1734 (!).
Copyright
Aria: Che Puro ciel (Act II, Sc.2)
Aria: Che Puro ciel (Act II, Sc.2)
Aria: Che Puro ciel (Act II, Sc.2)
Aria: Che Puro ciel (Act II, Sc.2)
Michel Rondeau.
Curatore
Editore
Michel Rondeau
Osservazioni varie
These file(s) are part of the Werner Icking Music Collection.
Dance of the Blessed Spirits (Act II)
Dance of the Blessed Spirits (Act II)
Dance of the Blessed Spirits (Act II)
Dance of the Blessed Spirits (Act II)
Creative Commons Attribution Share Alike 3.0
Rutger Hofman.
Aria: Che farò senza Euridice? (Act III, Sc.1)
Aria: Che farò senza Euridice? (Act III, Sc.1)
Aria: Che farò senza Euridice? (Act III, Sc.1)
Aria: Che farò senza Euridice? (Act III, Sc.1)
Michel Rondeau.
Curatore
Editore
Michel Rondeau
Osservazioni varie
These file(s) are part of the Werner Icking Music Collection.