Spartiti
Spartiti
Holograph manuscript, 1930. July 29.
Editore
Holograph manuscript, 1930. July 29.
Osservazioni varie
Apparently composed in July and orchestrated in October 1930, according to the notes of the cpo recording of the work.
Copyright
Stefano Paparozzi, 2023.
Curatore
Stefano Paparozzi (b. 1986)
Editore
Stefano Paparozzi, 2023.
Osservazioni varie
This is not a scientific critical edition, just an engraving making for study purpose. The source is the manuscript available on IMSLP [Holograph manuscript, 1930. July 29.]. The manuscript was generally well readable and globally coherent in articulation and dynamics. Editings made in pencil by an unknown hand were not included. Some minor errors, clearly typos, were corrected mostly confronting similar measures occurring before or after the specific issue, and also accordingly with the recording by the Helsingborg Symphony Orchestra – with the exception of the Cello+Bass line in m.193, which is clearly as it's shown in the manuscript (Fb-Eb-Fb-Eb...) and not as they play (Fb-Eb-Eb-Db...), coehrently with the previous statements of the theme.
Holograph manuscript, 1930. July 29.
Editore
Holograph manuscript, 1930. July 29.
Osservazioni varie
Apparently composed in July and orchestrated in October 1930, according to the notes of the cpo recording of the work.
Copyright
Stefano Paparozzi, 2023.
Curatore
Stefano Paparozzi (b. 1986)
Editore
Stefano Paparozzi, 2023.
Osservazioni varie
This is not a scientific critical edition, just an engraving making for study purpose. The source is the manuscript available on IMSLP [Holograph manuscript, 1930. July 29.]. The manuscript was generally well readable and globally coherent in articulation and dynamics. Editings made in pencil by an unknown hand were not included. Some minor errors, clearly typos, were corrected mostly confronting similar measures occurring before or after the specific issue, and also accordingly with the recording by the Helsingborg Symphony Orchestra – with the exception of the Cello+Bass line in m.193, which is clearly as it's shown in the manuscript (Fb-Eb-Fb-Eb...) and not as they play (Fb-Eb-Eb-Db...), coehrently with the previous statements of the theme.