Spartiti
Esecuzioni
Spartiti
Edition Peters, No. 9077, 1968.
Curatore
Günter Philipp (1927–2021)
Editore
Ausgewählte Klavierwerke, Band 3 (pp.92-95)
Leipzig: Edition Peters, No. 9077, 1968. Plate E.P. 12422.
Leipzig: Edition Peters, No. 9077, 1968. Plate E.P. 12422.
Osservazioni varie
All fingerings and editorial additions redacted.
Copyright
P. Jurgenson, n.d.[1914].
Curatore
First edition (reprint)
Editore
Moscow: P. Jurgenson, n.d.[1914]. Plate 37657-58.
Osservazioni varie
This file is from the MIT archive project.
Copyright
P. Jurgenson, n.d.[1914].
Curatore
First edition (corrected reprint)*
Editore
Moscow: P. Jurgenson, n.d.[1914]. Plate 37657-58.
Ristampa
Moscow: Muzgiz, 1923. Plate 3984-3985.
Osservazioni varie
Copyright
P. Jurgenson, n.d.(ca.1914).
P. Jurgenson, n.d.
Editore
Moscow: P. Jurgenson, n.d. Plate P. J. 1004.
Osservazioni varie
It would seem this edition is more akin to a first edition than the one described as such above, but anyway what is of interest in this copy is that is was used by a rental emporium called G. CLEMENT, ÉDITEUR 129 bis, Rue de la Pompe, PARIS. It bears the number 4420 in the renter's catalog and establishes a pricing list for would-be borrowers. This merchant also made/sold pianos, starting in 1897, and went out of business in 1921. The pages have much yellowed since then, of course, but the score itself is clean, as the dealer used 2 Leduc taped covers (not scanned) to enfold the Scriabine work, with a sampling of piano works with one page for Albert Landry and the other for Théodore Lack. Apart from his pricing quotes, the dealer was particularly adamant that no fingering signs should be appended to his score, understandably so (Les doigtés sont rigoureusement interdits).
Copyright
Edition Peters, No. 9077, 1968.
Curatore
Günter Philipp (1927–2021)
Editore
Ausgewählte Klavierwerke, Band 3 (pp.92-95)
Leipzig: Edition Peters, No. 9077, 1968. Plate E.P. 12422.
Leipzig: Edition Peters, No. 9077, 1968. Plate E.P. 12422.
Osservazioni varie
All fingerings and editorial additions redacted.
Copyright
P. Jurgenson, n.d.[1914].
Curatore
First edition (reprint)
Editore
Moscow: P. Jurgenson, n.d.[1914]. Plate 37657-58.
Osservazioni varie
This file is from the MIT archive project.
Copyright
P. Jurgenson, n.d.[1914].
Curatore
First edition (corrected reprint)*
Editore
Moscow: P. Jurgenson, n.d.[1914]. Plate 37657-58.
Ristampa
Moscow: Muzgiz, 1923. Plate 3984-3985.
Osservazioni varie
Copyright
P. Jurgenson, n.d.(ca.1914).
P. Jurgenson, n.d.
Editore
Moscow: P. Jurgenson, n.d. Plate P. J. 1004.
Osservazioni varie
It would seem this edition is more akin to a first edition than the one described as such above, but anyway what is of interest in this copy is that is was used by a rental emporium called G. CLEMENT, ÉDITEUR 129 bis, Rue de la Pompe, PARIS. It bears the number 4420 in the renter's catalog and establishes a pricing list for would-be borrowers. This merchant also made/sold pianos, starting in 1897, and went out of business in 1921. The pages have much yellowed since then, of course, but the score itself is clean, as the dealer used 2 Leduc taped covers (not scanned) to enfold the Scriabine work, with a sampling of piano works with one page for Albert Landry and the other for Théodore Lack. Apart from his pricing quotes, the dealer was particularly adamant that no fingering signs should be appended to his score, understandably so (Les doigtés sont rigoureusement interdits).
Copyright