This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Altre informazioni.
Spartiti
Spartiti
Longman & Broderip, n.d.(ca.1787).
Arrangiatore
Samuel Arnold (1740-1802)
Editore
London: Longman & Broderip, n.d.(ca.1787).
Osservazioni varie
Nanki Ongaku Bunko (J-Tn): RISM A/I: H 4061
The beautifull simplicity of the following melodies are so truly Vocal, that the Editor could not resist the Impulse of adapting them to English Words, trusting, as they have been so universally admired in the Authors Sonatas &c. They would not be the less acceptable, when joined to elegant Poetry.
The beautifull simplicity of the following melodies are so truly Vocal, that the Editor could not resist the Impulse of adapting them to English Words, trusting, as they have been so universally admired in the Authors Sonatas &c. They would not be the less acceptable, when joined to elegant Poetry.
Copyright
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Altre informazioni.
Longman & Broderip, n.d.(ca.1787).
Arrangiatore
Samuel Arnold (1740-1802)
Editore
London: Longman & Broderip, n.d.(ca.1787).
Osservazioni varie
Nanki Ongaku Bunko (J-Tn): RISM A/I: H 4061
The beautifull simplicity of the following melodies are so truly Vocal, that the Editor could not resist the Impulse of adapting them to English Words, trusting, as they have been so universally admired in the Authors Sonatas &c. They would not be the less acceptable, when joined to elegant Poetry.
The beautifull simplicity of the following melodies are so truly Vocal, that the Editor could not resist the Impulse of adapting them to English Words, trusting, as they have been so universally admired in the Authors Sonatas &c. They would not be the less acceptable, when joined to elegant Poetry.
Copyright