Mozart's Fragment
Oboe Concerto in F major, K.293/416f
Altre informazioni
Spartiti
Esecuzioni
Partiture
Holograph manuscript, n.d.(ca.1778).
Editore
Holograph manuscript, n.d.(ca.1778).
Osservazioni varie
Facsimile published in Fleischer: Mozart (1900) of a single sheet that is now lost. Evidently reproduces lines 2-3 of 10, the rest being blank.
Copyright
Breitkopf & Härtel, 1882.
Curatore
Ernst Rudorff (1840–1916)
First edition
First edition
Editore
Mozarts Werke, Serie XXIV:
Supplemente, Bd.1, No.20 (pp.1-5 (51-55))
Leipzig: Breitkopf & Härtel, 1882. Plate W.A.M. 293.
Supplemente, Bd.1, No.20 (pp.1-5 (51-55))
Leipzig: Breitkopf & Härtel, 1882. Plate W.A.M. 293.
Osservazioni varie
Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
Copyright
Bärenreiter-Verlag, 1981.
Curatore
Franz Giegling (1921–2007)
Editore
Neue Mozart-Ausgabe, Serie V, Werkgruppe 14 [NMA V/14/3] (pp.167-173)
Kassel: Bärenreiter-Verlag, 1981. Plate BA 4589.
Kassel: Bärenreiter-Verlag, 1981. Plate BA 4589.
Osservazioni varie
scan: score scanned at 600dpi (High Quality Scanning)
Copyright
Completions
Completions
Gavin Jared Bala, 2023 (June).
Arrangiatore
Gavin Jared Bala (b. 1999)
Editore
Gavin Jared Bala, 2023 (June).
Osservazioni varie
Mozart fully orchestrated the movement up to the end of bar 50. From bar 51 to the first beat of bar 70 Mozart only wrote a single line (the oboe solo, plus the first violins in bars 62-63); everything past that was added by the completer.
A cadenza is also included as a suggestion, though performers should feel free to replace it with their own.
A cadenza is also included as a suggestion, though performers should feel free to replace it with their own.
In questa pagina
Oboe Concerto in F major, K.293/416f
Altre informazioni
Mozart's Fragment
Mozart's Fragment
Mozart's Fragment
Mozart's Fragment
Holograph manuscript, n.d.(ca.1778).
Editore
Holograph manuscript, n.d.(ca.1778).
Osservazioni varie
Facsimile published in Fleischer: Mozart (1900) of a single sheet that is now lost. Evidently reproduces lines 2-3 of 10, the rest being blank.
Copyright
Mozart's Fragment
Mozart's Fragment
Breitkopf & Härtel, 1882.
Curatore
Ernst Rudorff (1840–1916)
First edition
First edition
Editore
Mozarts Werke, Serie XXIV:
Supplemente, Bd.1, No.20 (pp.1-5 (51-55))
Leipzig: Breitkopf & Härtel, 1882. Plate W.A.M. 293.
Supplemente, Bd.1, No.20 (pp.1-5 (51-55))
Leipzig: Breitkopf & Härtel, 1882. Plate W.A.M. 293.
Osservazioni varie
Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
Copyright
Mozart's Fragment
Mozart's Fragment
Bärenreiter-Verlag, 1981.
Curatore
Franz Giegling (1921–2007)
Editore
Neue Mozart-Ausgabe, Serie V, Werkgruppe 14 [NMA V/14/3] (pp.167-173)
Kassel: Bärenreiter-Verlag, 1981. Plate BA 4589.
Kassel: Bärenreiter-Verlag, 1981. Plate BA 4589.
Osservazioni varie
scan: score scanned at 600dpi (High Quality Scanning)
Copyright
Completions
Completions
Completions
Completions
Gavin Jared Bala, 2023 (June).
Arrangiatore
Gavin Jared Bala (b. 1999)
Editore
Gavin Jared Bala, 2023 (June).
Osservazioni varie
Mozart fully orchestrated the movement up to the end of bar 50. From bar 51 to the first beat of bar 70 Mozart only wrote a single line (the oboe solo, plus the first violins in bars 62-63); everything past that was added by the completer.
A cadenza is also included as a suggestion, though performers should feel free to replace it with their own.
A cadenza is also included as a suggestion, though performers should feel free to replace it with their own.