Spartiti
Esecuzioni
Partiture
Bärenreiter, 1957.
Curatore
Friedrich Noack (1890–1958)
Editore
Kassel: Bärenreiter, 1957. Plate BA 3233.
Ristampa
Miami: E.F. Kalmus, n.d.(1971-87). Catalog A7073.
Copyright
Autograph manuscript, n.d.(ca.1744).
Editore
Autograph manuscript, n.d.(ca.1744).
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0
Richard Kram.
Curatore
Editore
Richard Kram
Osservazioni varie
Two versions posted. A more faithful urtext-like (though not critical) version and a version that is embellished in style (not really an arrangement) with continuo. The embellished version takes a number of liberties that might have been taken in the day - adding more ornamented lines on repetitions in strings as well as bassoon, etc. Perhaps some Baroque "purists" may take exception to some of the alterations, but this is just one of an infinite number of performance possibilities. My goal is to bring life to the music in new ways that are not totally unorthodox. See "Discuss the Piece" and the "Virtual Performance" for more information.
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0
Bärenreiter, 1957.
Curatore
Friedrich Noack (1890–1958)
Editore
Kassel: Bärenreiter, 1957. Plate BA 3233.
Ristampa
Miami: E.F. Kalmus, n.d.(1971-87). Catalog A7073.
Copyright
Autograph manuscript, n.d.(ca.1744).
Editore
Autograph manuscript, n.d.(ca.1744).
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0
Richard Kram.
Curatore
Editore
Richard Kram
Osservazioni varie
Two versions posted. A more faithful urtext-like (though not critical) version and a version that is embellished in style (not really an arrangement) with continuo. The embellished version takes a number of liberties that might have been taken in the day - adding more ornamented lines on repetitions in strings as well as bassoon, etc. Perhaps some Baroque "purists" may take exception to some of the alterations, but this is just one of an infinite number of performance possibilities. My goal is to bring life to the music in new ways that are not totally unorthodox. See "Discuss the Piece" and the "Virtual Performance" for more information.
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0