Wie lieblich sind deine Wohnungen (No.2)
Erstlinge musikalischer Andachten
Altre informazioni
Spartiti
Esecuzioni
Spartiti e parti
Klaas Spijker, 2020.
Curatore
Editore
Klaas Spijker, 2020.
Osservazioni varie
for Alto solo and continuo
Herr wie lange (No.9)
Herr wie lange (No.9)
Klaas Spijker, 2020.
Curatore
Editore
Klaas Spijker, 2020.
Osservazioni varie
Dialogus for Cantus and Bassus with continuo. Text from Psalm 13 with interruptions from Isiah 41
Jauchzet Gott, Alle Lande (No.11)
Jauchzet Gott, Alle Lande (No.11)
Adolph Nagel's Verlag, 1928.
Curatore
Ferdinand Saffe (1867-1951)
Lingua
German / English
Traduttore
Dr. Kammerer (Wolfenbüttel, Germany) , English text
Editore
Nagel's Musik-Archiv, No.14
Hannover: Adolph Nagel's Verlag, 1928.
Hannover: Adolph Nagel's Verlag, 1928.
Osservazioni varie
Scanned at 600dpi grayscale, converted to monochrome.
For editorial comments see discussion.
For editorial comments see discussion.
Copyright
In questa pagina
Erstlinge musikalischer Andachten
Altre informazioni
Wie lieblich sind deine Wohnungen (No.2)
Wie lieblich sind deine Wohnungen (No.2)
Wie lieblich sind deine Wohnungen (No.2)
Wie lieblich sind deine Wohnungen (No.2)
Klaas Spijker, 2020.
Curatore
Editore
Klaas Spijker, 2020.
Osservazioni varie
for Alto solo and continuo
Herr wie lange (No.9)
Herr wie lange (No.9)
Herr wie lange (No.9)
Herr wie lange (No.9)
Klaas Spijker, 2020.
Curatore
Editore
Klaas Spijker, 2020.
Osservazioni varie
Dialogus for Cantus and Bassus with continuo. Text from Psalm 13 with interruptions from Isiah 41
Jauchzet Gott, Alle Lande (No.11)
Jauchzet Gott, Alle Lande (No.11)
Jauchzet Gott, Alle Lande (No.11)
Jauchzet Gott, Alle Lande (No.11)
Adolph Nagel's Verlag, 1928.
Curatore
Ferdinand Saffe (1867-1951)
Lingua
German / English
Traduttore
Dr. Kammerer (Wolfenbüttel, Germany) , English text
Editore
Nagel's Musik-Archiv, No.14
Hannover: Adolph Nagel's Verlag, 1928.
Hannover: Adolph Nagel's Verlag, 1928.
Osservazioni varie
Scanned at 600dpi grayscale, converted to monochrome.
For editorial comments see discussion.
For editorial comments see discussion.
Copyright