Spartiti
Esecuzioni
Partiture
Holograph manuscript, n.d.(ca.1701-41).
Editore
Holograph manuscript, n.d.(ca.1701-41).
Osservazioni varie
Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 34, f.151r-154v
Copyright
G. Ricordi & C., 1949.
Curatore
Gian Francesco Malipiero (1882–1973)
Editore
Le Opere di Antonio Vivaldi, Vol.XIII, Tomo 49
Milano: G. Ricordi & C., 1949. Plate P.R. 319.
Milano: G. Ricordi & C., 1949. Plate P.R. 319.
Copyright
Eulenburg, n.d.
Curatore
Felix Schroeder (1908–1976)
Ristampa
Boca Raton: E.F. Kalmus, n.d.(1987–2018). Catalog A2215.
Copyright
Alonso del Arte.
Curatore
Editore
Alonso del Arte
Osservazioni varie
The rehearsal letters are the same as in Sandra Dackow's edition, except that in the very short slow movement I thought the one rehearsal letter to be completely unnecessary. While I'm generally averse to putting rehearsal letters at middle repeats, I put letter C over the middle repeat in the finale so as to not differ from Dackow's letters. Unlike Dackow's, this is not an educational arrangement: first violinists will have to count through their "whole notes" in the first movement.
Holograph manuscript, n.d.(ca.1701-41).
Editore
Holograph manuscript, n.d.(ca.1701-41).
Osservazioni varie
Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 34, f.151r-154v
Copyright
G. Ricordi & C., 1949.
Curatore
Gian Francesco Malipiero (1882–1973)
Editore
Le Opere di Antonio Vivaldi, Vol.XIII, Tomo 49
Milano: G. Ricordi & C., 1949. Plate P.R. 319.
Milano: G. Ricordi & C., 1949. Plate P.R. 319.
Copyright
Eulenburg, n.d.
Curatore
Felix Schroeder (1908–1976)
Ristampa
Boca Raton: E.F. Kalmus, n.d.(1987–2018). Catalog A2215.
Copyright
Alonso del Arte.
Curatore
Editore
Alonso del Arte
Osservazioni varie
The rehearsal letters are the same as in Sandra Dackow's edition, except that in the very short slow movement I thought the one rehearsal letter to be completely unnecessary. While I'm generally averse to putting rehearsal letters at middle repeats, I put letter C over the middle repeat in the finale so as to not differ from Dackow's letters. Unlike Dackow's, this is not an educational arrangement: first violinists will have to count through their "whole notes" in the first movement.