Allegro (No.1)
Spartiti
Esecuzioni
Partiture
Holograph manuscript, n.d.
Editore
Holograph manuscript, n.d.
Osservazioni varie
Biblioteca Nazionale Palatina, Sezione Musicale, Parma (I-PAc): Bott.40
No sources for the other movements with orchestral accompaniment are listed in the catalogues, so it's possible that these are lost (or were never orchestrated).
No sources for the other movements with orchestral accompaniment are listed in the catalogues, so it's possible that these are lost (or were never orchestrated).
Copyright
Luca Albanese, 2020.
Curatore
Luca Albanese (b. 1993)
Editore
Luca Albanese, 2020.
Osservazioni varie
Newly engraved version of the first movement from the manuscript at the Bibliotheca Nazionale Palatina. Only existing version with the composer's original orchestration of the first movement in B-Minor. Inconsistencies have been carefully amended without further notice. I have arranged the solo bass voice in 3 versions; being the original pitch as written in the manuscript, the pitch an octave higher as it sounds in all recordings known, and as well a transposed pitch to A-minor, shall the bass be tuned to concert pitch (a whole-tone higher). The concert is to be played in B-Minor ("H-Moll") with this edition.
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Allegro (No.1)
Allegro (No.1)
Allegro (No.1)
Allegro (No.1)
Holograph manuscript, n.d.
Editore
Holograph manuscript, n.d.
Osservazioni varie
Biblioteca Nazionale Palatina, Sezione Musicale, Parma (I-PAc): Bott.40
No sources for the other movements with orchestral accompaniment are listed in the catalogues, so it's possible that these are lost (or were never orchestrated).
No sources for the other movements with orchestral accompaniment are listed in the catalogues, so it's possible that these are lost (or were never orchestrated).
Copyright
Allegro (No.1)
Allegro (No.1)
Luca Albanese, 2020.
Curatore
Luca Albanese (b. 1993)
Editore
Luca Albanese, 2020.
Osservazioni varie
Newly engraved version of the first movement from the manuscript at the Bibliotheca Nazionale Palatina. Only existing version with the composer's original orchestration of the first movement in B-Minor. Inconsistencies have been carefully amended without further notice. I have arranged the solo bass voice in 3 versions; being the original pitch as written in the manuscript, the pitch an octave higher as it sounds in all recordings known, and as well a transposed pitch to A-minor, shall the bass be tuned to concert pitch (a whole-tone higher). The concert is to be played in B-Minor ("H-Moll") with this edition.