Complete
Cello Suite No.4 in E-flat major, BWV 1010
Altre informazioni
Spartiti
Esecuzioni
Spartiti
Bärenreiter, 1950.
Curatore
August Wenzinger (1905–1996)
Editore
Bach: Sechs Suiten für Violoncello solo, No.4 (pp.24-33)
Kassel: Bärenreiter, 1950. Plate BA 320.
Kassel: Bärenreiter, 1950. Plate BA 320.
Osservazioni varie
Score redacted to exclude editorial fingerings and bowings.
Copyright
Bärenreiter Verlag, 1988.
Curatore
Hans Eppstein (1911–2008)
Editore
Neue Bach-Ausgabe, Serie VI, Band 2 (pp.22-31, 74-83)
Kassel: Bärenreiter Verlag, 1988. Plate BA 5068.
Kassel: Bärenreiter Verlag, 1988. Plate BA 5068.
Osservazioni varie
Text I: Based on the copies by Anna Magdalena Bach, Johann Peter Kellner.
Text II: Based on anonymous copy (2nd half 18th century).
Text II: Based on anonymous copy (2nd half 18th century).
Copyright
Breitkopf und Härtel, 1879.
Curatore
Alfred Dörffel (1821–1905)
Editore
Bach-Gesellschaft Ausgabe, Band 27.1 (pp.74-80)
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Ristampa
Mineola: Dover Publications, 1988.
Copyright
Breitkopf und Härtel, n.d.(ca.1900).
Curatore
Julius Klengel (1859–1933)
Editore
Leipzig: Breitkopf und Härtel, n.d.(ca.1900). Plate 22879.
Copyright
C.F. Peters, No. 238, n.d.(ca.1911).
Curatore
Hugo Becker (1863–1941)
Editore
Leipzig: C.F. Peters, No. 238, n.d.(ca.1911). Plate 9148.
Copyright
Francois Salabert S.A., 1929.
Curatore
Diran Alexanian (1881–1954)
Editore
Six Suites pour Violoncelle seul No.4 (pp.35-49)
Paris: Francois Salabert S.A., 1929. Plate SECA 16.
Paris: Francois Salabert S.A., 1929. Plate SECA 16.
Copyright
In questa pagina
Cello Suite No.4 in E-flat major, BWV 1010
Altre informazioni
Fine
Complete
Complete
Bärenreiter, 1950.
Curatore
August Wenzinger (1905–1996)
Editore
Bach: Sechs Suiten für Violoncello solo, No.4 (pp.24-33)
Kassel: Bärenreiter, 1950. Plate BA 320.
Kassel: Bärenreiter, 1950. Plate BA 320.
Osservazioni varie
Score redacted to exclude editorial fingerings and bowings.
Copyright
Complete
Complete
Bärenreiter Verlag, 1988.
Curatore
Hans Eppstein (1911–2008)
Editore
Neue Bach-Ausgabe, Serie VI, Band 2 (pp.22-31, 74-83)
Kassel: Bärenreiter Verlag, 1988. Plate BA 5068.
Kassel: Bärenreiter Verlag, 1988. Plate BA 5068.
Osservazioni varie
Text I: Based on the copies by Anna Magdalena Bach, Johann Peter Kellner.
Text II: Based on anonymous copy (2nd half 18th century).
Text II: Based on anonymous copy (2nd half 18th century).
Copyright
Complete
Complete
Breitkopf und Härtel, 1879.
Curatore
Alfred Dörffel (1821–1905)
Editore
Bach-Gesellschaft Ausgabe, Band 27.1 (pp.74-80)
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Ristampa
Mineola: Dover Publications, 1988.
Copyright
Complete
Complete
Breitkopf und Härtel, n.d.(ca.1900).
Curatore
Julius Klengel (1859–1933)
Editore
Leipzig: Breitkopf und Härtel, n.d.(ca.1900). Plate 22879.
Copyright
Complete
Complete
C.F. Peters, No. 238, n.d.(ca.1911).
Curatore
Hugo Becker (1863–1941)
Editore
Leipzig: C.F. Peters, No. 238, n.d.(ca.1911). Plate 9148.
Copyright
Complete
Complete
Francois Salabert S.A., 1929.
Curatore
Diran Alexanian (1881–1954)
Editore
Six Suites pour Violoncelle seul No.4 (pp.35-49)
Paris: Francois Salabert S.A., 1929. Plate SECA 16.
Paris: Francois Salabert S.A., 1929. Plate SECA 16.
Copyright
Complete
Complete
Breitkopf und Härtel, 2000.
Curatore
Kirsten Beißwenger (1960–2013)
Editore
Bach: Sechs Suiten für Violoncello solo, No.4 (pp.26-35)
Wiesbaden: Breitkopf und Härtel, 2000. Plate EB 8714.
Wiesbaden: Breitkopf und Härtel, 2000. Plate EB 8714.
Copyright
Complete
Complete
Shin-Itchiro Yokoyama.
Curatore
Editore
Shin-Itchiro Yokoyama
Osservazioni varie
Based on the copies by Anna Magdalena Bach, Johann Peter Kellner.
See also Editor's Notes
See also Editor's Notes
Complete
Complete
Public Domain (dedicated)
Cellofun.eu, 2021.
Curatore
Editore
Cellofun.eu, 2021.
Osservazioni varie
Here, the four known manuscript sources have been typeset and laid out in score format principally in order to make for an easy comparison of the bowings (slurs). This is not an academic, scholarly work, in the sense that there are a few typos (note errors) and not all of the minor differences in notes and rhythms between the different manuscripts have been reproduced. We have however tried to reproduce as closely as possible the ambiguities in the placements and shapes of the slurs of the original manuscripts. Two playing editions are also offered: an Edited one (with fingering and bowing suggestions) and a Clean Version (with nothing but the notes). For best results, print on A4 paper with no margins. For more information see cellofun.eu
Copyright
Public Domain (dedicated)
Complete
Complete
_CELLO_-6762.jpg&w=384&q=75)
_CELLO_-6762.jpg&w=640&q=75)
Joseba Berrocal, 2026.
Curatore
Editore
Joseba Berrocal, 2026.
Osservazioni varie
Transposed to C major for a best sonority involving open strings. Using Sources AMB, Kellner & Traeg.
Prelude (No.1)
Prelude (No.1)
Prelude (No.1)
Prelude (No.1)
Edizioni Migliori, 2022.