Spartiti
Spartiti
A-R Editions, 1986.
Curatore
Editore
Osservazioni varie
The segno is placed at both the beginning and the end of a section to be repeated. It is printed in two sizes. The smaller size represents the “petite reprise”, in which only the last few measures are repeated. The larger size represents repetition of the entire piece. (These sizes may be compared in piece No.57, Arietta.)
Key signatures, time signatures, flagging, and beaming are as in the original. Clefs and the arrangement of notes on staves are modernized. Stemming has been regularized.
The editor recommends Early English Keyboard Music by Howard Ferguson as a discussion of performance practice applicable to these pieces.
Key signatures, time signatures, flagging, and beaming are as in the original. Clefs and the arrangement of notes on staves are modernized. Stemming has been regularized.
The editor recommends Early English Keyboard Music by Howard Ferguson as a discussion of performance practice applicable to these pieces.
Copyright
A-R Editions, 1986.
Curatore
Editore
Osservazioni varie
The segno is placed at both the beginning and the end of a section to be repeated. It is printed in two sizes. The smaller size represents the “petite reprise”, in which only the last few measures are repeated. The larger size represents repetition of the entire piece. (These sizes may be compared in piece No.57, Arietta.)
Key signatures, time signatures, flagging, and beaming are as in the original. Clefs and the arrangement of notes on staves are modernized. Stemming has been regularized.
The editor recommends Early English Keyboard Music by Howard Ferguson as a discussion of performance practice applicable to these pieces.
Key signatures, time signatures, flagging, and beaming are as in the original. Clefs and the arrangement of notes on staves are modernized. Stemming has been regularized.
The editor recommends Early English Keyboard Music by Howard Ferguson as a discussion of performance practice applicable to these pieces.
Copyright