Complete
Spartiti
Esecuzioni
Spartiti
G. Henle Verlag, No. 1034, 1953.
Curatore
Bertha Antonia Wallner (1876–1956)
Editore
Klaviersonaten, Band II (pp.131-69)
Munich: G. Henle Verlag, No. 1034, 1953.
Munich: G. Henle Verlag, No. 1034, 1953.
Osservazioni varie
600 dpi. Page size is 9" × 12".
Edition without fingering. Henle's logo has been removed due to trademark.
Edition without fingering. Henle's logo has been removed due to trademark.
Copyright
Henle, 1976.
Curatore
Joseph Schmidt-Görg (1897–1981)
Hans Schmidt-Görg (1930–2019)
Hans Schmidt-Görg (1930–2019)
Editore
Klaviersonaten, Band II (pp.179-207)
Munich: Henle, 1976.
Munich: Henle, 1976.
Copyright
Holograph manuscript, n.d.(ca.1804-05).
Editore
Holograph manuscript, n.d.(ca.1804-05).
Osservazioni varie
Bibliothèque nationale de France, Musique (F-Pn): MS-20
.
This stained Beethoven manuscript was the property of the pianist René-Paul Baillot, who gave it to the Paris Conservatory in 1889. The nickname "Appassionata" appears nowhere in the manuscript; instead, Beethoven apparently subtitled it as "La Passionata." There are many changes and corrections in notation throughout.
This stained Beethoven manuscript was the property of the pianist René-Paul Baillot, who gave it to the Paris Conservatory in 1889. The nickname "Appassionata" appears nowhere in the manuscript; instead, Beethoven apparently subtitled it as "La Passionata." There are many changes and corrections in notation throughout.
Copyright
Bureau des Arts et d'Industrie, n.d.[1807].
J. Pleyel & fils aîné, n.d.[1824].
Editore
Paris: J. Pleyel & fils aîné, n.d.[1824]. Plate 1650.
Osservazioni varie
Royal College of Music Library, London (GB-Lcm) : D1689/16
Copyright
Eduard Hallberger, n.d.(ca.1860).
Curatore
Ignaz Moscheles (1794–1870)
Editore
Sämmtliche Sonaten für Pianoforte, No.23
Stuttgart: Eduard Hallberger, n.d.(ca.1860). Plate B. XXIII.
Stuttgart: Eduard Hallberger, n.d.(ca.1860). Plate B. XXIII.
Osservazioni varie
This file is part of the Submission Project.
Copyright
In questa pagina
Fine
Complete
Complete
G. Henle Verlag, No. 1034, 1953.
Curatore
Bertha Antonia Wallner (1876–1956)
Editore
Klaviersonaten, Band II (pp.131-69)
Munich: G. Henle Verlag, No. 1034, 1953.
Munich: G. Henle Verlag, No. 1034, 1953.
Osservazioni varie
600 dpi. Page size is 9" × 12".
Edition without fingering. Henle's logo has been removed due to trademark.
Edition without fingering. Henle's logo has been removed due to trademark.
Copyright
Complete
Complete
Henle, 1976.
Curatore
Joseph Schmidt-Görg (1897–1981)
Hans Schmidt-Görg (1930–2019)
Hans Schmidt-Görg (1930–2019)
Editore
Klaviersonaten, Band II (pp.179-207)
Munich: Henle, 1976.
Munich: Henle, 1976.
Copyright
Complete
Complete
Holograph manuscript, n.d.(ca.1804-05).
Editore
Holograph manuscript, n.d.(ca.1804-05).
Osservazioni varie
Bibliothèque nationale de France, Musique (F-Pn): MS-20
.
This stained Beethoven manuscript was the property of the pianist René-Paul Baillot, who gave it to the Paris Conservatory in 1889. The nickname "Appassionata" appears nowhere in the manuscript; instead, Beethoven apparently subtitled it as "La Passionata." There are many changes and corrections in notation throughout.
This stained Beethoven manuscript was the property of the pianist René-Paul Baillot, who gave it to the Paris Conservatory in 1889. The nickname "Appassionata" appears nowhere in the manuscript; instead, Beethoven apparently subtitled it as "La Passionata." There are many changes and corrections in notation throughout.
Copyright
Complete
Complete
Bureau des Arts et d'Industrie, n.d.[1807].
Complete
Complete
J. Pleyel & fils aîné, n.d.[1824].
Editore
Paris: J. Pleyel & fils aîné, n.d.[1824]. Plate 1650.
Osservazioni varie
Royal College of Music Library, London (GB-Lcm) : D1689/16
Copyright
Complete
Complete
Eduard Hallberger, n.d.(ca.1860).
Curatore
Ignaz Moscheles (1794–1870)
Editore
Sämmtliche Sonaten für Pianoforte, No.23
Stuttgart: Eduard Hallberger, n.d.(ca.1860). Plate B. XXIII.
Stuttgart: Eduard Hallberger, n.d.(ca.1860). Plate B. XXIII.
Osservazioni varie
This file is part of the Submission Project.
Copyright
Complete
Complete
Breitkopf und Härtel, n.d.[1862].
Editore
Ludwig van Beethovens Werke, Serie 16, No.146 (pp.165-90)
Leipzig: Breitkopf und Härtel, n.d.[1862]. Plate B.146.
Leipzig: Breitkopf und Härtel, n.d.[1862]. Plate B.146.
Osservazioni varie
Originally scanned at about 160dpi, converted to 600dpi monochrome.
Complete Score is 9 x 12 scan, scanned in from newer source at 600dpi (file #994767)
Complete Score is 9 x 12 scan, scanned in from newer source at 600dpi (file #994767)
Copyright
Complete
Complete
Oliver Ditson & Co., 1876.
Curatore
Hans von Bülow (1830–1894)
Traduttore
James Cutler Dunn Parker (1828–1916), English text
Editore
Boston: Oliver Ditson & Co., 1876. Plate 29923.
(U.S. edition of J.G. Cotta's edition, Stuttgart, 1872)
(U.S. edition of J.G. Cotta's edition, Stuttgart, 1872)
Osservazioni varie
Retrieved from Library of Congress. Scanned monochrome at 400dpi.
Copyright
Complete
Complete
(Von_B%C3%BClow%2C_Lebert)(Schirmer).jpg&w=384&q=75)
(Von_B%C3%BClow%2C_Lebert)(Schirmer).jpg&w=640&q=75)
G. Schirmer, n.d.(1895-96).
Curatore
Sigmund Lebert (1822–1884)
Hans von Bülow (1830–1894)
Hans von Bülow (1830–1894)
Editore
Complete Piano Sonatas
New York: G. Schirmer, n.d.(1895-96). Plate 12589.
New York: G. Schirmer, n.d.(1895-96). Plate 12589.
Ristampa
New York: G. Schirmer, No. 2103, 2015.
Copyright
Complete
Complete
Edizione Ricordi, 1919.
Curatore
Alfredo Casella (1883–1947)
Editore
Sonate per pianoforte, Vol.2 (pp.228-65)
Milan: Edizione Ricordi, 1919. Plate E.R. 2.
Milan: Edizione Ricordi, 1919. Plate E.R. 2.
Osservazioni varie
Original images: 300dpi, color jpg2000 files approx. 2950 by 4250 usable pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. See Sonate per pianoforte for complete volumes including preface.
Copyright
Complete
Complete
Universal Edition, 1922.
Curatore
Heinrich Schenker (1868–1935)
Incisore
Vienna: Waldheim-Eberle.
Editore
Vienna: Universal Edition, 1922. Plate U.E. 4032.
Ristampa
New York: Dover Publications, 1975.
Copyright
Complete
Complete
Breitkopf und Härtel, 1923.
Curatore
Frederic Lamond (1868–1948)
Editore
Klaviersonaten, Band II (pp.121-46)
Leipzig: Breitkopf und Härtel, 1923. Plate 28727.
Leipzig: Breitkopf und Härtel, 1923. Plate 28727.
Copyright
Complete
Complete
Musytschna Ukraina, 1969.
Complete
Complete
C.F. Peters, n.d.[1926-27].
Curatore
Max Pauer (1866–1945)
Carl Adolf Martienssen (1881–1955), revision
Carl Adolf Martienssen (1881–1955), revision
Editore
Sonaten für Klavier zu zwei Händen, Bd.2 (pp.415-43)
Leipzig: C.F. Peters, n.d.[1926-27]. Plate 10555.
Leipzig: C.F. Peters, n.d.[1926-27]. Plate 10555.
Ristampa
Martienssen revision, n.d.(1927). - #66412
Copyright
Complete
Complete
Verlag Ullstein A.G., 1924-27.
Curatore
Artur Schnabel (1882–1951)
Incisore
Vienna: Waldheim-Eberle.
Editore
Berlin: Verlag Ullstein A.G., 1924-27. Plate T.A. 144.
Ristampa
32 Piano Sonatas, Vol.II (pp.535-80)
New York: Simon & Schuster, 1935.
New York: Simon & Schuster, 1935.
Osservazioni varie
Notes in German, French and English.
Copyright
Complete
Complete
Curci, 1949.
Curatore
Artur Schnabel (1882–1951)
Editore
Milan: Curci, 1949. Plate E. 4280 C.
Osservazioni varie
Notes in Italian, English and German.
Copyright
Complete
Complete
Muzyka, 1970.
Selections
Selections
Selections
Selections
Creative Commons Attribution Non-commercial Share Alike 3.0
Andreas Scherer.
Curatore
Editore
Andreas Scherer
Osservazioni varie
These file(s) are part of the Werner Icking Music Collection.
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0