Spartiti
Spartiti
Ad Mt Schlesinger, n.d.1855 .
Incisore
Leipzig: C.G. Röder.
(No.1)
Editore
Berlin: Ad Mt Schlesinger, n.d.1855 . Plates S. 4350–4354.
Ristampa
Berlin: Verlag der Schlesinger'schen Buch- und Musikhandlung, n.d.(after 1864?). (Nos.1–5)
Theodor Kullak's Clavier-Werke (Nos.6–7)
Berlin: Schlesinger'schen Buch- und Musikhandlung, n.d.(1880?).
Theodor Kullak's Clavier-Werke (Nos.6–7)
Berlin: Schlesinger'schen Buch- und Musikhandlung, n.d.(1880?).
Osservazioni varie
Original scan converted to 600 DPI monochrome. It seems that No.1 was the only number of the set that was properly re-engraved by Röder, while the rest were just reprinted. Vol.5 (Nos.6–7) also appears to be the oldest of the reprints, being the only score listed as part as the collection Theodor Kullak's Clavier-Werke, and also doesn't have any mention of Lienau. Nos.1–5: possibly published after 1864 because Lienau bought Schlesinger that year (see Lienau's page). Nos.6–7: possible reprint year given by scanner.
Copyright
1-5 /6
Ad Mt Schlesinger, n.d.1855 .
Incisore
Leipzig: C.G. Röder.
(No.1)
Editore
Berlin: Ad Mt Schlesinger, n.d.1855 . Plates S. 4350–4354.
Ristampa
Berlin: Verlag der Schlesinger'schen Buch- und Musikhandlung, n.d.(after 1864?). (Nos.1–5)
Theodor Kullak's Clavier-Werke (Nos.6–7)
Berlin: Schlesinger'schen Buch- und Musikhandlung, n.d.(1880?).
Theodor Kullak's Clavier-Werke (Nos.6–7)
Berlin: Schlesinger'schen Buch- und Musikhandlung, n.d.(1880?).
Osservazioni varie
Original scan converted to 600 DPI monochrome. It seems that No.1 was the only number of the set that was properly re-engraved by Röder, while the rest were just reprinted. Vol.5 (Nos.6–7) also appears to be the oldest of the reprints, being the only score listed as part as the collection Theodor Kullak's Clavier-Werke, and also doesn't have any mention of Lienau. Nos.1–5: possibly published after 1864 because Lienau bought Schlesinger that year (see Lienau's page). Nos.6–7: possible reprint year given by scanner.
Copyright