Variations and Fugue on an Original Theme, Op.73
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Spartiti
Breitkopf und Härtel, No. EB 8491, 1989.
Curatore
Hans Haselböck (b. 1928), preface
Hans Klotz (1900–1987)
Martin Weyer (1938–2016)
Hans Klotz (1900–1987)
Martin Weyer (1938–2016)
Editore
Sämtliche Orgelwerke, Band 1: Fantasias, Fugues, etc. (pp.111-155)
Wiesbaden: Breitkopf und Härtel, No. EB 8491, 1989. Plate M.R. 17.
Wiesbaden: Breitkopf und Härtel, No. EB 8491, 1989. Plate M.R. 17.
Osservazioni varie
600 dpi. Page size is 23 cm × 30.5 cm. The publisher's logo on the title page has been removed due to copyright.
Copyright
Lauterbach & Kuhn, 1904, Plate B.B. 16922 (249).
Editore
Leipzig: Lauterbach & Kuhn, 1904, Plate B.B. 16922 (249).
Osservazioni varie
Please be aware of a misprint in this early edition. It's in the last quote of the choral-like part of the theme in the last variation (variation XIII, "andante", bar 14; i.e. page number 31, system 3, bar 2). There are the notes a-sharp and c-sharp in the soprano missing (3rd and 4rth quaver). Without these notes the line can hardly be recognized as a quote of the theme (the entire quote is: a# (upbeat) - g# - a# - c# - b# - a# - g#, then change to 2/4-time).
Copyright
Breitkopf & Härtel, EB 8491, 1966. Plate M.R. 17.
Variations and Fugue on an Original Theme, Op.73
Altre informazioni
Breitkopf und Härtel, No. EB 8491, 1989.
Curatore
Hans Haselböck (b. 1928), preface
Hans Klotz (1900–1987)
Martin Weyer (1938–2016)
Hans Klotz (1900–1987)
Martin Weyer (1938–2016)
Editore
Sämtliche Orgelwerke, Band 1: Fantasias, Fugues, etc. (pp.111-155)
Wiesbaden: Breitkopf und Härtel, No. EB 8491, 1989. Plate M.R. 17.
Wiesbaden: Breitkopf und Härtel, No. EB 8491, 1989. Plate M.R. 17.
Osservazioni varie
600 dpi. Page size is 23 cm × 30.5 cm. The publisher's logo on the title page has been removed due to copyright.
Copyright
Lauterbach & Kuhn, 1904, Plate B.B. 16922 (249).
Editore
Leipzig: Lauterbach & Kuhn, 1904, Plate B.B. 16922 (249).
Osservazioni varie
Please be aware of a misprint in this early edition. It's in the last quote of the choral-like part of the theme in the last variation (variation XIII, "andante", bar 14; i.e. page number 31, system 3, bar 2). There are the notes a-sharp and c-sharp in the soprano missing (3rd and 4rth quaver). Without these notes the line can hardly be recognized as a quote of the theme (the entire quote is: a# (upbeat) - g# - a# - c# - b# - a# - g#, then change to 2/4-time).
Copyright
Breitkopf & Härtel, EB 8491, 1966. Plate M.R. 17.