Complete
Spartiti
Esecuzioni
Spartiti
Editio Musica, 1980.
Curatore
Imre Mező (1932–)
Imre Sulyok (1912–2008)
Imre Sulyok (1912–2008)
Editore
Neue Liszt-Ausgabe, Serie 1, Band 10 (pp.xx, 2-26)
Budapest: Editio Musica, 1980. Plate Z.8459.
Budapest: Editio Musica, 1980. Plate Z.8459.
Osservazioni varie
scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
Copyright
Heugel & Cie., n.d.(ca.1866).
Curatore
First edition
Editore
Paris: Heugel & Cie., n.d.(ca.1866). Plate H.4612.(1)-(2).
Osservazioni varie
From the Ruth Dana Collection of Liszt Editions. Is this a direct reprint (with new plates but otherwise the same) of the Rózsavölgyi edition? Not sure what you mean by first edition otherwise.
Copyright
Edition Peters, No. 3601a, n.d.[1913-17].
Curatore
Emil von Sauer (1862–1942)
Editore
Klavierwerke, Band 5:
Original Kompositionen für Klavier zu zwei Händen (pp.136-64)
Leipzig: Edition Peters, No. 3601a, n.d.[1913-17]. Plate 9880.
Original Kompositionen für Klavier zu zwei Händen (pp.136-64)
Leipzig: Edition Peters, No. 3601a, n.d.[1913-17]. Plate 9880.
Osservazioni varie
scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
Copyright
St François d'Assise: La prédication aux oiseaux (No. 1)
St François d'Assise: La prédication aux oiseaux (No. 1)
Breitkopf & Härtel, 1927.
Curatore
José Vianna da Motta (1868–1948)
Editore
Musikalische Werke. Serie II, Band 9 (pp.61-78)
Leipzig: Breitkopf & Härtel, 1927. Plate F.L. 69.
Leipzig: Breitkopf & Härtel, 1927. Plate F.L. 69.
Osservazioni varie
Originally scanned at about 160pi, converted to 600dpi monochrome.
Copyright
Ullstein, 1927.
Universal Edition, n.d.
In questa pagina
Fine
Complete
Complete
Editio Musica, 1980.
Curatore
Imre Mező (1932–)
Imre Sulyok (1912–2008)
Imre Sulyok (1912–2008)
Editore
Neue Liszt-Ausgabe, Serie 1, Band 10 (pp.xx, 2-26)
Budapest: Editio Musica, 1980. Plate Z.8459.
Budapest: Editio Musica, 1980. Plate Z.8459.
Osservazioni varie
scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
Copyright
Complete
Complete
Heugel & Cie., n.d.(ca.1866).
Curatore
First edition
Editore
Paris: Heugel & Cie., n.d.(ca.1866). Plate H.4612.(1)-(2).
Osservazioni varie
From the Ruth Dana Collection of Liszt Editions. Is this a direct reprint (with new plates but otherwise the same) of the Rózsavölgyi edition? Not sure what you mean by first edition otherwise.
Copyright
Complete
Complete
Edition Peters, No. 3601a, n.d.[1913-17].
Curatore
Emil von Sauer (1862–1942)
Editore
Klavierwerke, Band 5:
Original Kompositionen für Klavier zu zwei Händen (pp.136-64)
Leipzig: Edition Peters, No. 3601a, n.d.[1913-17]. Plate 9880.
Original Kompositionen für Klavier zu zwei Händen (pp.136-64)
Leipzig: Edition Peters, No. 3601a, n.d.[1913-17]. Plate 9880.
Osservazioni varie
scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
Copyright
St François d'Assise: La prédication aux oiseaux (No. 1)
St François d'Assise: La prédication aux oiseaux (No. 1)
St François d'Assise: La prédication aux oiseaux (No. 1)
St François d'Assise: La prédication aux oiseaux (No. 1)
Breitkopf & Härtel, 1927.
Curatore
José Vianna da Motta (1868–1948)
Editore
Musikalische Werke. Serie II, Band 9 (pp.61-78)
Leipzig: Breitkopf & Härtel, 1927. Plate F.L. 69.
Leipzig: Breitkopf & Härtel, 1927. Plate F.L. 69.
Osservazioni varie
Originally scanned at about 160pi, converted to 600dpi monochrome.
Copyright
St François d'Assise: La prédication aux oiseaux (No. 1)
St François d'Assise: La prédication aux oiseaux (No. 1)
Ullstein, 1927.
St François d'Assise: La prédication aux oiseaux (No. 1)
St François d'Assise: La prédication aux oiseaux (No. 1)
Universal Edition, n.d.
St François de Paule: Marchant sur les flots (No. 2)
St François de Paule: Marchant sur les flots (No. 2)
St François de Paule: Marchant sur les flots (No. 2)
St François de Paule: Marchant sur les flots (No. 2)
Breitkopf & Härtel, 1927.
Curatore
José Vianna da Motta (1868–1948)
Editore
Musikalische Werke. Serie II, Band 9 (pp.79-96)
Leipzig: Breitkopf & Härtel, 1927. Plate F.L. 70.
Leipzig: Breitkopf & Härtel, 1927. Plate F.L. 70.
Osservazioni varie
Originally scanned at about 160pi, converted to 600dpi monochrome.
Copyright
St François de Paule: Marchant sur les flots (No. 2) - Facilitated Version (S.175/2bis)
St François de Paule: Marchant sur les flots (No. 2) - Facilitated Version (S.175/2bis)
St François de Paule: Marchant sur les flots (No. 2) - Facilitated Version (S.175/2bis)
St François de Paule: Marchant sur les flots (No. 2) - Facilitated Version (S.175/2bis)
Editio Musica, 1980.
Curatore
Imre Mező (b. 1932)
Imre Sulyok (1912–2008)
Imre Sulyok (1912–2008)
Editore
Neue Liszt-Ausgabe, Serie 1, Band 10 (pp.150-59)
Budapest: Editio Musica, 1980. Plate Z.8459.
Budapest: Editio Musica, 1980. Plate Z.8459.
Osservazioni varie
scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
Copyright