Partition
Partitions
Manuscript, n.d.(ca.1720-55).
Copiste
Johann Georg Pisendel (1687-1755)
Maison d’édition
Manuscript, n.d.(ca.1720-55).
Remarques diverses
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus.1-O-2
Manuscript lost during World War II, but this microfilm copy was discovered by Nicola Schneider in 2010. Schrank II coll.
According to the surviving catalogue entry, the manuscript consisted of 6 leaves, this scan being of folios 3-6.
Manuscript lost during World War II, but this microfilm copy was discovered by Nicola Schneider in 2010. Schrank II coll.
According to the surviving catalogue entry, the manuscript consisted of 6 leaves, this scan being of folios 3-6.
Droits d’auteur
Tom Ó Drisceoil, 2020.
Éditeur scientifique
Tom Ó Drisceoil (b. 1986)
Maison d’édition
Tom Ó Drisceoil, 2020.
Remarques diverses
Editorial missing accidentals (all in the bass) in brackets. Instrument names supplied by comparison with other Pisendel sources from Dresden. In movement 3: continuo bars 47-49, there is an erroneous rest in bar 47, and an obviously missing bar has been supplied in small notes; an ink stain in bars 99-100 obscures some of the solo part, and an editorial suggestion is supplied in small size notes. Another source for this work, a set of parts in Lambach, apparently contains a different middle movement (an Adagio in G Major), but this is currently not available for consultation.
Manuscript, n.d.(ca.1720-55).
Copiste
Johann Georg Pisendel (1687-1755)
Maison d’édition
Manuscript, n.d.(ca.1720-55).
Remarques diverses
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus.1-O-2
Manuscript lost during World War II, but this microfilm copy was discovered by Nicola Schneider in 2010. Schrank II coll.
According to the surviving catalogue entry, the manuscript consisted of 6 leaves, this scan being of folios 3-6.
Manuscript lost during World War II, but this microfilm copy was discovered by Nicola Schneider in 2010. Schrank II coll.
According to the surviving catalogue entry, the manuscript consisted of 6 leaves, this scan being of folios 3-6.
Droits d’auteur
Tom Ó Drisceoil, 2020.
Éditeur scientifique
Tom Ó Drisceoil (b. 1986)
Maison d’édition
Tom Ó Drisceoil, 2020.
Remarques diverses
Editorial missing accidentals (all in the bass) in brackets. Instrument names supplied by comparison with other Pisendel sources from Dresden. In movement 3: continuo bars 47-49, there is an erroneous rest in bar 47, and an obviously missing bar has been supplied in small notes; an ink stain in bars 99-100 obscures some of the solo part, and an editorial suggestion is supplied in small size notes. Another source for this work, a set of parts in Lambach, apparently contains a different middle movement (an Adagio in G Major), but this is currently not available for consultation.