Selections
Partition
Partitions
John Walsh, n.d.(ca.1755).
Maison d’édition
London: John Walsh, n.d.(ca.1755).
Remarques diverses
At the end of the collection, there are two arias by Hasse (from Adriano in Siria and Artemisia respectively) which were inserted in a revival of Galuppi's Penelope. - NB. The aria 'Ecco alle mie catene' is Gluck's setting. Further, 'Per lei mi nacque amore' is from Hasse's La Spartana generosa (also used in Demofoonte). All other arias are probably by Perez, at least their words appear in the libretto printed for the original production, which premiered at the Regio Ducal Teatro of Milan on December 26th, 1750.
Droits d’auteur
Manuscript, n.d.(ca.1750-83).
Maison d’édition
Manuscript, n.d.(ca.1750-83).
Remarques diverses
Musik- och teaterbiblioteket, Stockholm (S-Skma): T-SE-R
Droits d’auteur
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Selections
Selections
Selections
Selections
John Walsh, n.d.(ca.1755).
Maison d’édition
London: John Walsh, n.d.(ca.1755).
Remarques diverses
At the end of the collection, there are two arias by Hasse (from Adriano in Siria and Artemisia respectively) which were inserted in a revival of Galuppi's Penelope. - NB. The aria 'Ecco alle mie catene' is Gluck's setting. Further, 'Per lei mi nacque amore' is from Hasse's La Spartana generosa (also used in Demofoonte). All other arias are probably by Perez, at least their words appear in the libretto printed for the original production, which premiered at the Regio Ducal Teatro of Milan on December 26th, 1750.
Droits d’auteur
Selections
Selections
Manuscript, n.d.(ca.1750-83).
Maison d’édition
Manuscript, n.d.(ca.1750-83).
Remarques diverses
Musik- och teaterbiblioteket, Stockholm (S-Skma): T-SE-R
Droits d’auteur