Plus d’informations
Partition
Interprétations
Partitions
Haenssler Verlag, 1966.
Éditeur scientifique
Maison d’édition
Neuhausen-Stuttgart: Haenssler Verlag, 1966. Plate CEKM 15.
Remarques diverses
Compare to the contents in the comment below; since the 1966 Neuhausen edition contains 10 numbered toccatas, 4 other toccatas with "(XIII)", "(XIV)" etc., 10 courantes, plus a Partita sopra La Romanesca and 2 versetti, it is obvious that this is a modern edition of the 1657 Toccate e correnti d'intavolatura d'organo e cembalo with its manuscript additions. Thus, the 4 extra toccatas, the partita and the 2 versets are considered "doubtful", and probably not by Rossi, although the other works are considered authentic.
Droits d’auteur
Croce di Genova, 1657.
Maison d’édition
Roma: Croce di Genova, 1657.
Droits d’auteur
Les Éditions Outremontaises, 2022.
Éditeur scientifique
Maison d’édition
Montréal: Les Éditions Outremontaises, 2022
Remarques diverses
Urtext edition from a facsimile of the original publication
Plus d’informations
Haenssler Verlag, 1966.
Éditeur scientifique
Maison d’édition
Neuhausen-Stuttgart: Haenssler Verlag, 1966. Plate CEKM 15.
Remarques diverses
Compare to the contents in the comment below; since the 1966 Neuhausen edition contains 10 numbered toccatas, 4 other toccatas with "(XIII)", "(XIV)" etc., 10 courantes, plus a Partita sopra La Romanesca and 2 versetti, it is obvious that this is a modern edition of the 1657 Toccate e correnti d'intavolatura d'organo e cembalo with its manuscript additions. Thus, the 4 extra toccatas, the partita and the 2 versets are considered "doubtful", and probably not by Rossi, although the other works are considered authentic.
Droits d’auteur
Croce di Genova, 1657.
Maison d’édition
Roma: Croce di Genova, 1657.
Droits d’auteur
Les Éditions Outremontaises, 2022.
Éditeur scientifique
Maison d’édition
Montréal: Les Éditions Outremontaises, 2022
Remarques diverses
Urtext edition from a facsimile of the original publication