Magnificat tertii et octavi toni
Plus d’informations
Partition
Parties
Robert Quercentius, 1552.
Éditeur scientifique
First edition
Maison d’édition
Canticum Beatae Mariae Virginis (ff.13v–21r)
Cambrai: Robert Quercentius, 1552.
Cambrai: Robert Quercentius, 1552.
Remarques diverses
Two performance options: within each verse either terminate at the symbol (usually employed for canons) to make the piece a third-tone setting; or, sing to the double bar to make the piece an eighth-tone setting.
Droits d’auteur
Magnificat tertii et octavi toni
Plus d’informations
Robert Quercentius, 1552.
Éditeur scientifique
First edition
Maison d’édition
Canticum Beatae Mariae Virginis (ff.13v–21r)
Cambrai: Robert Quercentius, 1552.
Cambrai: Robert Quercentius, 1552.
Remarques diverses
Two performance options: within each verse either terminate at the symbol (usually employed for canons) to make the piece a third-tone setting; or, sing to the double bar to make the piece an eighth-tone setting.
Droits d’auteur