This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Plus d’informations.
Partition
Interprétations
Partitions et parties
Ricciardo Amadino, 1608.
Éditeur scientifique
First edition
Maison d’édition
Venice: Ricciardo Amadino, 1608. (CTABQ); 1615 (Basso Continuo).
Remarques diverses
Museo internazionale e Bibl. della musica, Bologna (I-Bc) : RISM A/I: M 3477
Facing pages. Original print order is given above; the order of pages in the Bologna facsimile has been changed to Canto, Alto, Tenore, Basso, Quinto, Basso Continuo. The Basso Continuo derives from a later Amadino reprint of 1615, with slightly different wording on the title page. The first double page of music in the Alto partbook (containing a blank verso, and Cruda Amarilli on the recto) is missing from this scan.
Facing pages. Original print order is given above; the order of pages in the Bologna facsimile has been changed to Canto, Alto, Tenore, Basso, Quinto, Basso Continuo. The Basso Continuo derives from a later Amadino reprint of 1615, with slightly different wording on the title page. The first double page of music in the Alto partbook (containing a blank verso, and Cruda Amarilli on the recto) is missing from this scan.
Droits d’auteur
Pierre Phalèse (the Younger), 1615.
Maison d’édition
Anvers: Pierre Phalèse (the Younger), 1615.
Remarques diverses
Bibliothèque nationale de France, Musique (F-Pn): RISM A/I: M 3482
Droits d’auteur
Universal Edition, (1927).
Arrangeur
Gian Francesco Malipiero (1882–1973), continuo realizations
Maison d’édition
Tutte le opere di Claudio Monteverdi, Vol.5
Asolo: Gian Francesco Mailipiero, n.d.(ca.1927).
Reissue — Vienna: Universal Edition, (1927).
Asolo: Gian Francesco Mailipiero, n.d.(ca.1927).
Reissue — Vienna: Universal Edition, (1927).
Droits d’auteur
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Plus d’informations.
Ricciardo Amadino, 1608.
Éditeur scientifique
First edition
Maison d’édition
Venice: Ricciardo Amadino, 1608. (CTABQ); 1615 (Basso Continuo).
Remarques diverses
Museo internazionale e Bibl. della musica, Bologna (I-Bc) : RISM A/I: M 3477
Facing pages. Original print order is given above; the order of pages in the Bologna facsimile has been changed to Canto, Alto, Tenore, Basso, Quinto, Basso Continuo. The Basso Continuo derives from a later Amadino reprint of 1615, with slightly different wording on the title page. The first double page of music in the Alto partbook (containing a blank verso, and Cruda Amarilli on the recto) is missing from this scan.
Facing pages. Original print order is given above; the order of pages in the Bologna facsimile has been changed to Canto, Alto, Tenore, Basso, Quinto, Basso Continuo. The Basso Continuo derives from a later Amadino reprint of 1615, with slightly different wording on the title page. The first double page of music in the Alto partbook (containing a blank verso, and Cruda Amarilli on the recto) is missing from this scan.
Droits d’auteur
Pierre Phalèse (the Younger), 1615.
Maison d’édition
Anvers: Pierre Phalèse (the Younger), 1615.
Remarques diverses
Bibliothèque nationale de France, Musique (F-Pn): RISM A/I: M 3482
Droits d’auteur
Universal Edition, (1927).
Arrangeur
Gian Francesco Malipiero (1882–1973), continuo realizations
Maison d’édition
Tutte le opere di Claudio Monteverdi, Vol.5
Asolo: Gian Francesco Mailipiero, n.d.(ca.1927).
Reissue — Vienna: Universal Edition, (1927).
Asolo: Gian Francesco Mailipiero, n.d.(ca.1927).
Reissue — Vienna: Universal Edition, (1927).
Droits d’auteur