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Bruckner, Anton

Bruckner, Anton

Vorspiel und Fuge, WAB 131

1847

•

2 (incomplete)

Plus d’informations

Partition

Interprétations

Partitions

Vorspiel und Fuge, WAB 131
Vorspiel und Fuge, WAB 131

Public Domain

Holograph manuscript, 1847.. (January 15).

Maison d’édition

Holograph manuscript, 1847.. (January 15)

Remarques diverses

ca.300dpi color images. Source: Stift Seitenstetten (OSB), A-SEI-Fxv3a2.

Droits d’auteur

Complete Surviving Score

Gustav Bosse, 1928.

Éditeur scientifique

First edition
August Göllerich (1859–1923)
Max Auer (1880–1962)

Maison d’édition

Anton Bruckner: ein Lebens- und Schaffens-Bild, Band 2, Teil 2
Regensburg: Gustav Bosse, 1928.

Remarques diverses

Original images: ca.180dpi, color tif files approx. 1510 by 2180 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins.
In the USA this work is most likely in the public domain because it was published without a compliant copyright notice or no renewal was found after a thorough search of the Catalog of Copyright Entries and it was apparently ineligible for "restoration" under GATT/TRIPS.
Please obey the copyright laws of your country. IMSLP assumes no legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.

Droits d’auteur

Complete Score

Vorspiel und Fuge, WAB 131

1847

•

2 (incomplete)

Plus d’informations

Holograph manuscript, 1847.. (January 15).

Maison d’édition

Holograph manuscript, 1847.. (January 15)

Remarques diverses

ca.300dpi color images. Source: Stift Seitenstetten (OSB), A-SEI-Fxv3a2.

Droits d’auteur

Gustav Bosse, 1928.

Éditeur scientifique

First edition
August Göllerich (1859–1923)
Max Auer (1880–1962)

Maison d’édition

Anton Bruckner: ein Lebens- und Schaffens-Bild, Band 2, Teil 2
Regensburg: Gustav Bosse, 1928.

Remarques diverses

Original images: ca.180dpi, color tif files approx. 1510 by 2180 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins.
In the USA this work is most likely in the public domain because it was published without a compliant copyright notice or no renewal was found after a thorough search of the Catalog of Copyright Entries and it was apparently ineligible for "restoration" under GATT/TRIPS.
Please obey the copyright laws of your country. IMSLP assumes no legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.

Droits d’auteur