Psalm 112, WAB 35
Plus d’informations
Partition
Interprétations
Conducteurs
Holograph manuscript, 1863. (June-July).
Maison d’édition
Holograph manuscript, 1863. (June-July).
Remarques diverses
ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Source: Österreichische Nationalbibliothek, Mus.Hs.3158. See also: Bruckner-online.
The manuscript ends after the first five bars of the full-scale recapitulation of the first part, so that one thought that the manuscript was incomplete. It is now accepted that Bruckner did not want to transcribe the full content of the recapitulation. In the Bruckner Gesamtausgabe, Band XX, No. 5 (1996), only the first bar of the full-scale recapitulation is transcribed, followed by Dal Segno al Fine.
The manuscript ends after the first five bars of the full-scale recapitulation of the first part, so that one thought that the manuscript was incomplete. It is now accepted that Bruckner did not want to transcribe the full content of the recapitulation. In the Bruckner Gesamtausgabe, Band XX, No. 5 (1996), only the first bar of the full-scale recapitulation is transcribed, followed by Dal Segno al Fine.
Droits d’auteur
Psalm 112, WAB 35
Plus d’informations
Holograph manuscript, 1863. (June-July).
Maison d’édition
Holograph manuscript, 1863. (June-July).
Remarques diverses
ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Source: Österreichische Nationalbibliothek, Mus.Hs.3158. See also: Bruckner-online.
The manuscript ends after the first five bars of the full-scale recapitulation of the first part, so that one thought that the manuscript was incomplete. It is now accepted that Bruckner did not want to transcribe the full content of the recapitulation. In the Bruckner Gesamtausgabe, Band XX, No. 5 (1996), only the first bar of the full-scale recapitulation is transcribed, followed by Dal Segno al Fine.
The manuscript ends after the first five bars of the full-scale recapitulation of the first part, so that one thought that the manuscript was incomplete. It is now accepted that Bruckner did not want to transcribe the full content of the recapitulation. In the Bruckner Gesamtausgabe, Band XX, No. 5 (1996), only the first bar of the full-scale recapitulation is transcribed, followed by Dal Segno al Fine.
Droits d’auteur