Andante très calme, presque adagio (No.1)
Partition
Partitions et parties
Max Eschig, 1985.
Maison d’édition
Paris: Max Eschig, 1985. Plate M. E. 8154.
Remarques diverses
This edition is notorious for numerous errata and should be used for study purposes only. Please examine other sources here if performance or serious study is desired.
Droits d’auteur
Holograph manuscript, n.d.[1934].
Maison d’édition
Holograph manuscript, n.d.[1934].
Remarques diverses
This is the autograph used by Paul Collaer and the Quatuor de Bruxelles at the premiere of the work in Brussels in 1934. The deletions in the third movement are by the composer. A second autograph is in the collection of the publisher Durand-Eschig, Paris.
Droits d’auteur
Holograph manuscript, n.d.[1934].
Maison d’édition
Holograph manuscript, n.d.[1934].
Remarques diverses
This is the second fair copy of Koechlin's Piano Quintet op. 80 (copy Ms YK, Paris)
Droits d’auteur
Max Eschig, 1985.
Maison d’édition
Paris: Max Eschig, 1985. Plate M. E. 8154.
Remarques diverses
The Eschig edition (1985) of Koechlin’s Piano Quintet Op. 80 contains countless printing errors, which have been corrected in this copy of the score according to the composer’s definitive autographs.
Droits d’auteur
Holograph manuscript, n.d.[1934].
Maison d’édition
Holograph manuscript, n.d.[1934].
Remarques diverses
This is the first movement of the version 'last draft before fair copy'. It proves that the Tempo relation at figure 9 must be 'crotchet = previous quaver'. (Ms BnF 14363).
Droits d’auteur
Sur cette page
Max Eschig, 1985.
Maison d’édition
Paris: Max Eschig, 1985. Plate M. E. 8154.
Remarques diverses
This edition is notorious for numerous errata and should be used for study purposes only. Please examine other sources here if performance or serious study is desired.
Droits d’auteur
Holograph manuscript, n.d.[1934].
Maison d’édition
Holograph manuscript, n.d.[1934].
Remarques diverses
This is the autograph used by Paul Collaer and the Quatuor de Bruxelles at the premiere of the work in Brussels in 1934. The deletions in the third movement are by the composer. A second autograph is in the collection of the publisher Durand-Eschig, Paris.
Droits d’auteur
Holograph manuscript, n.d.[1934].
Maison d’édition
Holograph manuscript, n.d.[1934].
Remarques diverses
This is the second fair copy of Koechlin's Piano Quintet op. 80 (copy Ms YK, Paris)
Droits d’auteur
Max Eschig, 1985.
Maison d’édition
Paris: Max Eschig, 1985. Plate M. E. 8154.
Remarques diverses
The Eschig edition (1985) of Koechlin’s Piano Quintet Op. 80 contains countless printing errors, which have been corrected in this copy of the score according to the composer’s definitive autographs.
Droits d’auteur
Andante très calme, presque adagio (No.1)
Andante très calme, presque adagio (No.1)
Andante très calme, presque adagio (No.1)
Andante très calme, presque adagio (No.1)
Holograph manuscript, n.d.[1934].
Maison d’édition
Holograph manuscript, n.d.[1934].
Remarques diverses
This is the first movement of the version 'last draft before fair copy'. It proves that the Tempo relation at figure 9 must be 'crotchet = previous quaver'. (Ms BnF 14363).
Droits d’auteur